The Sound of His Own Voice

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Produced by Scott McCaughey & John Wesley Harding

Mixed by Tucker Martine with Scott McCaughey at Flora, Portland, OR

Recorded by Adam Selzer at Type Foundry, Portland, OR

Additional recording by Scott McCaughey at the Record Pile, Portland, OR

Mastered by Emily Lazar & Joe LaPorta at The Lodge, NYC

Cover photograph by Jamie Baldridge

Album Design by Sheila Sachs

The King Charles Trio is:
Peter Buck
Jenny Conlee-Drizos
Chris Funk
Scott McCaughey
John Moen
Nate Query

With Their Beautiful Assistants:

Steve Berlin
Rosanne Cash
Daniel Lamb
Victor Nash
John Roderick
Laura Veirs

Sing Your Own Song
Vocals, acoustic guitar: Wes
Backing vocals: Scott, John, Wes & John Roderick
Mellotron: Scott
12-string guitar: Peter
Electric guitar, banjo: Chris
Piano, Hammond organ: Jenny
Bass: Nate
Drums: John

I Should Have Stopped
Vocals, acoustic guitar: Wes
Vocals: Laura
Backing vocals: John & Scott
12-string guitar: Peter
Electric guitar: Chris
Piano: Jenny
Bass: Nate
Drums: John

Captain Courageous (On Disko Island)
Vocals, acoustic guitars, pump organ: Wes
Synthesizer, backing vocals: Scott
12-string guitar: Peter
French horn, trumpet: Victor
Pedal steel: Chris
Fender Rhodes, Hammond organ: Jenny
Bass, cello: Nate
Drums, backing vocals: John

I Might Be Dead
Vocals, acoustic guitars: Wes
Mellotron, backing vocals: Scott
Leslie & 12-string guitars: Peter
Electric guitars: Chris
Hammond organ: Jenny
Bass: Nate
Drums, backing vocals: John

Uncle Dad
Vocal, acoustic guitar: Wes
Backing vocals: Scott & John
Vocal: Tilda Stace
12-string guitar: Peter
Handclaps: John, Wes, Chris, Jenny, Scott
Electric guitar: Chris
Piano: Jenny
Bass: Nate
Drums: John
Tilda Stace recorded by Dan Gutierrez at WXPN, Philadelphia 1/14/11

The Way We Weren’t
Vocals, acoustic guitar, electric guitar (1st solo): Wes
Mellotron, electric guitar, tambourine, backing vocals: Scott
12-string guitar: Peter
Electric guitar (2nd solo): Chris
Piano, Hammond organ: Jenny
Bass: Nate
Drums, backing vocals: John

There’s a Starbucks (Where the Starbucks Used to Be)
Vocal, acoustic guitar: Wes
Wurlitzer electric piano, tambourine, backing vocals: Scott
Mandolin: Peter
Electric guitar: Chris
Accordion, Hammond organ: Jenny
Bass: Nate
Drums, backing vocals: John

The Colloquy of Mole & Mr Eye
Mr Eye, acoustic guitar, harmonica: Wes
Mole: John Roderick
Mandolin: Peter
Saxophone: Steve
Trombone: Daniel
Trumpet: Victor
Banjo: Chris
Accordion, piano: Jenny
Upright bass: Nate
Drums: John

Gentleman Caller
Vocals: Wes
Tambourine, maracas, cowbell, backing vocals: Scott
12-string guitar: Peter
Electric guitars: Chris
Piano, Hammond organ: Jenny
Bass: Nate
Drums, backing vocals: John

Calling Off the Experiment
Vocals: Wes
Synths, Crumar Performer, tambourine, backing vocals: Scott
12-string guitar: Peter
Electric guitar: Chris
Piano, Microkorg & Farfisa organ: Jenny
Bass, cellos: Nate
Drums, backing vocals: John

The Examiners
Vocal: Wes
Backing vocals: Laura
Crumar Performer: Scott
Beatbox: Whippany Rhythm Master
12-string guitar, E-bow: Peter
Baritone sax: Steve
Electric guitars: Chris
Pump organ: Jenny
Upright bass: Nate
Drums, vibraphone: John

Good News (& Bad News)
Vocal, acoustic guitars: Wes
Harmony vocal: Rosanne
Mellotron: Scott
12-string guitar: Peter
Pedal steel: Chris
Fender Rhodes: Jenny
Bass: Nate
Drums: John
Rosanne Cash recorded by Matt Gill at Shelter Island Sound, NYC 12/6/10

The World in Song
Vocals, Microkorg bass, acoustic guitars: Wes
Autoharp, tubular bells, acoustic guitars, percussion, backing vocals: Scott
Mandolin, 12-string guitar: Peter
Baritone sax: Steve
Handclaps: Wes, Scott, Chris, Jenny, John, Rebecca Gates & Joanna Bolme
Electric guitars: Chris
Piano, Hammond organ, Nord synth: Jenny
Bass: Nate
Drums, tympani, acoustic guitars, backing vocals: John

All songs written by John Wesley Harding (TOWNSONGS (ASCAP)) except I Should Have Stopped by John Wesley Harding & Rob Seidenberg (TOWNSONGS/Silk Mountain Songs), The Way We Weren’t by John Wesley Harding & Ed Masley (TOWNSONGS/Penns Woods Music, BMI) and The Examiners – a poem by John Whitworth, set to music by John Wesley Harding (TOWNSONGS/ASCAP)

Rosanne Cash appears courtesy of Manhattan Records/EMI Music

Chris Funk, Jenny Conlee-Drizos, Nate Query, John Moen of The Decemberists appear courtesy of Capitol Records

Scott McCaughey appears courtesy of Yep Roc Records

Peter Buck appears courtesy of Warner Brothers Records

John Roderick appears courtesy of Barsuk

Laura Veirs appears courtesy of Tennessee

Tilda Stace appears courtesy of her parents

  • Sing Your Own Song

    Long ago I had a dream
    A man came up to me
    He gave me paper and a pen
    And a cast-iron guarantee
    He said “Write six words, make the next line rhyme
    Learn four basic chords
    When you’ve got the third line, well, in next to no time
    You’ll be wanting more”

    Well, I didn’t wanna know about a quid pro quo
    Or why he was picking on me
    Guess he didn’t know that I was tired of school
    And bored of poetry
    So I played along, stifled a yawn
    Perhaps he was wrong in the head
    And when I woke, I found a note
    And this is what it said:
    You can write your own words
    You can sing your own song
    And it doesn’t really matter if you’re out of tune
    Or if no one sings along
    You can write your own words
    And you can make your own rules
    And it doesn’t really matter how cool you are
    Or what grades you got at school
    When you sing your own song

    So I took the advice, suffice it to say
    That the rest is mystery
    And if anyone out there’s nervous or scared
    I suggest you listen to me

    You can write your own words
    You can sing your own song
    And it doesn’t really matter if you’re out of tune
    Or if no one sings along
    Cos if you do what you like
    And you like what to do
    Then someone somewhere knows you’re there
    And the world may come to you
    When you sing your own song

    Now I’m married and I have two kids
    And we sing songs all the time
    My four-year-old just makes them up
    Sometimes with explanatory mime
    No one’s told her that it’s difficult yet
    That isn’t in her head
    So we sing her song all evening long
    Right until it’s time for bed

  • I Should Have Stopped

    I remember you when we were both at school
    For one short week we shared the same carpool
    (Hey, hey) Then I saw you today
    You’re looking pretty special in your disco hat
    As you do your dirty laundry at the laundromat
    Life has intervened but nothing’s changed
    Your eyes looked kinda tired
    But you basically looked the same, the same

    You were never really that good at sports
    But you kissed me on a dare behind the tennis courts
    (Hey, hey) You’d been all the way
    I always was afraid of your fearsome friends
    You used to disappear with them for long weekends
    One day you left, Monday never came
    And there you were standing
    In the wash and fold again

    I should have stopped and said Hello but I didn’t
    I’ll go back to the mess at home
    I should have stopped and said Let’s go but I couldn’t
    Leave my memories alone

    We were very nearly in the same school play
    But I ended up as prompter for the matinees
    (Hey, hey) You were Salome
    But I saw you in your bra in the costume tent
    I ran across the stage in embarrassment
    Even now, it’s harder not to stare at you
    Sorting out the whites from the colours in your underwear

    I should have stopped and said Hello but I didn’t
    I’ll go back to the mess at home
    I should have stopped and said Let’s go but I couldn’t
    Leave my memories alone

    Because it’s ancient history and we are not the same
    And we will never know the mystery again

    I should have stopped and said Hello but I didn’t
    I’ll go back to the mess at home
    I should have stopped and said Let’s go but I couldn’t
    Leave my memories alone

  • Captain Courageous (On Disko Island)

    Captain Courageous
    Looking outrageous in his finery
    Fingers his shotgun
    Knowing the outcome isn’t binary
    Death cannot daunt him
    Ghosts cannot haunt him
    Nobody wants him, because he’s...

    Captain Courageous
    Isn’t contagious but he’s quarantined
    Set him in aspic
    Now that the politics are Florentine
    Blows cannot strike him
    Soundmen don’t mic him
    Nobody’s like him, because he’s
    Captain Courageous, he’ll never age
    But we can’t turn the page on
    Captain Courageous

    Captain Courageous
    Doesn’t engage us as he struts the stage
    Captain Colossal
    He’s just the fossil of a bygone age
    Death don’t await him
    Critics don’t rate him
    Nobody hates him, because he’s
    Captain Courageous, he’ll never age
    But we can’t turn the page on
    Captain Courageous

    He was once all the rage
    Now he stands like a statue with one arm in the air
    And it’s Queens and it’s Brooklyn and his armies are there
    And as he salutes, a bird messes the nest of his hair
    Poor Captain!
    His leather’s imperial; disease’s venereal

    Death cannot daunt him
    Ghosts cannot haunt him
    Nobody wants him, because he’s
    Captain Courageous, he’ll never age
    But we can’t turn the page on
    Captain Courageous, he’ll never age

  • I Might Be Dead

    I might be dead
    I might just be relaxed
    I might be dead
    But I’m still paying tax
    I might have had a heart attack
    I think I want my money back
    I might be dead
    I might be off my face
    I might be dead
    But I’m still on the database
    Is your address book up to date?
    Guess we know my fate

    But I can remember
    How good it felt
    To be with you
    Maybe you
    Remember it too

    I might be dead
    For all you notice me
    I might be dead
    Son of obituary
    Yeah, you made a mess of me
    One more of you, one less of me

    But then…
    You might be dead
    Just to call my bluff
    You might be dead
    Had enough of love
    There can’t be fireflies every night
    Please move towards my light

    And can you remember
    How good it felt
    To be with me
    Maybe it wasn’t
    Baby, remind me

    We might be dead
    We might just be asleep
    We might be dead
    Perhaps our dreams are cheap
    You didn’t mean to be dead weight
    I didn’t meant to be late .

  • Uncle Dad

    He comes knocking on a Friday night
    With a box of Black Magic and a bottle of white
    And if she's with him, she waits outside
    Watch her do her lipstick in the passenger light
    Mum gets quiet, mum gets sad
    She sits in the kitchen, lost in the want ads

    Mum, she makes the breakfast, walks us all to school
    Works at the municipal swimming pool
    It's sad he moved so far away
    He's doing up his new house so we can stay
    How we smiled, how we laughed
    When he turned up in a sports car
    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle Dad
    He's there without warning, he's gone in the morning
    It never gets boring
    Uncle Dad

    Careful where you tiptoe on the firing range
    Gets a little tense at the hostage exchange
    Not all the hostages want to go
    I'm the peacemaker and I go with the flow
    Out to the car and in the backseat
    On with the seatbelt, out with the sweets

    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle Dad
    He's there in the driveway, blimey, it's Friday
    His car's so untidy
    Uncle Dad

    I remember once when he came in for a drink
    And he was there in the morning
    Sitting in the kitchen with a mug of instant coffee
    Yawning
    Mum was smiling when we went to school
    Later she was in mourning

    It's always presents and it's always treats
    Back home it's TV and it's just repeats
    She says he thinks that life's one long cartoon
    He wishes Mum would get a boyfriend soon
    Yeah we like her, Auntie Jane
    But it's great to get home again, though

    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle
    No one's quite as much fun as Uncle Dad
    He's there without warning, he's gone in the morning
    It never gets boring
    Uncle Dad

  • The Way We Weren't

    Once you told me all about your dream
    Life was Jim Beam, steam rooms and ice cream
    And your name up in lights on some marquee
    How surprising you didn’t mention me
    Well, I’ve had time to think things through
    I would love to turn on you
    Memories of
    The way we weren’t

    In your bedroom, I strummed a dumb guitar
    Said your name once and wondered where you were
    Sang the chorus I don’t sing anymore
    Your thesaurus, my favourite dinosaur
    That was when love was allowed
    That was then, love, this is now
    It’s all about
    The way we weren’t

    I can see you stealing up the ceiling
    When my feelings get the upper hand
    I can see you standing on the landing
    With your hand up as the group disbands

    Maybe one day, I’ll try to forget
    One day... but maybe not quite yet
    Amnesia’s the only thing I fear
    Don’t forget me next year at your premiere
    Maybe when I’m 64
    I won’t need you anymore
    But now I want
    The way we weren’t

  • There's a Starbucks (Where the Starbucks Used to Be)

    There’s a freeway where we played football in the fields
    Apartments on the pitch at Highbury
    There’s a shed called Deer Creek
    Of which my one critique
    Is there’s no creek now and it’s all deer-free

    There’s a Walgreens where there was no wall, just greenery
    There’s a theme park in a palace in Tennessee
    That tree there is a pylon
    But some things you can rely on
    There’s a Starbucks where the Starbucks used to be

    There’s a Starbucks where the Starbucks used to be
    There’s a Starbucks where the Starbucks used to be
    There’s a hard luck story everywhere you look
    But oh the glory!
    There’s a Starbucks where the Starbucks used to be

    There’s a stadium where we used to drink at Freddie’s
    For a team that no one likes or wants or needs
    Said they’d revitalize the place
    There’s a million parking spaces
    Maybe bedrooms for the homeless refugees

    There’s a chain store where mom and pop once prospered
    They’re divorced now and they live in penury
    Kids grown up and moved away
    I hear that happens anyway
    There’s a Starbucks where they live, I guarantee

    There’s a Starbucks where the Starbucks used to be
    There’s a Starbucks where the Starbucks used to be
    There’s a hard luck story everywhere you look
    But oh the glory!
    There’s a Starbucks where the Starbucks used to be

    And I miss the old Starbucks
    Though the new one’s just the same
    It’s got coffee and CDs
    It’s got the same name
    In fact, I wouldn’t’ve even noticed
    If you hadn’t told me
    There’s a Starbucks where the Starbucks used to be

  • The Colloquy Of Mole & Mr. Eye

    Tell me some tales of your life in the tunnels
    I’ll sing you a song of life high above ground
    I’m in a tower that couldn’t be higher
    You’re in a bower a hundred miles down
    I’m in the air, the world’s out of my hair
    My heads in the clouds and I read by the moon
    I’m in the stars and you are sub-radar
    Digging your home with a rusty old spoon

    Hey little mole, what’s it like in your hole?
    Why did you go underground? What kind of life have you found?

    Tell me a tale of two hundred stories
    I’ll sing you a song of a world down below
    My ladder and steps don’t reach up to your basement
    The lift in your building won’t go near this low
    I dig the gloom in this womb of a room
    I’m perfectly happy just shoring up walls
    The worms they all need me, the little grubs feed me
    I’m close to the core and there’s nowhere to fall

    Hey Mr. Eye, what’s it like in the sky?
    Why did you fly off the ground? What kind of life have you found?

    Tell me some tales of survival substrata
    I’ll sing you a song of the high life up here
    The air is so rarified, food is delivered
    By people from earth whom you tip with a beer
    I haven’t a care and I never go down where
    The smoke is a joke and you’re scared all the time
    I can see it so clearly but don’t want it near me
    I’m the first superman to emerge from the slime

    Hey little mole, what’s it like in your hole?
    Why did you go underground? What kind of life have you found?

    Hey Mr. Eye, there’s one thing we agree on
    You’ll never come here and I’ll never go there
    My eyes aren’t accustomed to all of your bright lights
    Your lungs they would gasp for a good blast of air
    We’ve made decisions, we’ve both had visions
    Of something else, somewhere else, some other way
    What your money bought you, my instincts taught me
    The ground’s not the best place to live on today
    Mole in his hole, Eye in the sky
    That’s why we moved from the ground
    Long live the life we have found

  • Gentleman Caller

    Hey!
    There’s a gentleman caller at the door
    What is he there for?
    There’s a gentleman caller at the door
    He’s so assured

    Better lock up your daughters
    Launder their corsets
    Submerge them in water
    Secrete them in Dorset
    Exiled, disgraced
    In a much safer place

    Hey!
    There’s a gentleman caller at the door
    What is he there for?
    There’s a gentleman caller at the door
    He won’t be ignored

    Better hide all your sons
    Brush up on your Austin
    Send them to business school
    Harvard or Boston
    To their dismay
    They’re condemned to play croquet

    You don’t know how it feels between meals
    To know that someone’s here
    Let’s open the door
    Can’t wait anymore
    Till you give the all-clear

    Hey!
    There’s a gentleman caller at the door
    What is he there for?
    There’s a gentleman caller at the door
    There’s callers galore

    But you don’t know how it feels between meals
    To know that someone’s there
    My stomach’s a pit
    And I wanna fill it
    With your worst nightmares
    Someone heard my prayers

  • Calling Off the Experiment
    I'm calling off the experiment
    Ditching all the research
    I'm calling off the experiment
    Because it's not going to work
    I'm tired of the hours, the overnighters
    Petri dishes and chrome
    Talk about monkeys and typewriters
    Everybody go home  

         Goodnight, Goodnight
         Will the last one out please turn off the lights?

    I'm calling off the experiment
    Forget the Nobel Prize
    If anyone checks, it's evident
    The data's falsified
    No we haven't achieved our goals
    Yes we're giving in
    We’re just a small cog in the Dog eat Dogma
    World we’re living in  

         Goodnight, Goodnight
         Will the last one out please turn off the lights?  
        But please leave on the furnace
         Put money in the meter too
         And don't turn off the life support systems
         Next time, it could be you
         Or someone who
         Can cure you

    The man with the head of a hen needs feeding
    And the cats need cigarettes
    The plant with human DNA needs weeding
    And the rat’s playing Russian roulette
    I'm calling off the experiment
    Ditching an empty lab
    Leave the bunsen burners burning
    Take anything that you can grab
    I'm calling off the experiment
    Ditching all the research
    I'm calling off the experiment
    Because it's not going to work  

         Goodnight, Goodnight
         Will the last one out, please turn off the lights?

  • The Examiners

    A poem by John Whitworth, set to music by John Wesley Harding

    Where the house is cold and empty and the garden’s overgrown,
    Where the letters lie unopened by a disconnected phone,
    Where your footsteps echo strangely on each moonlit cobblestone,
    Where a shadow streams behind you but the shadow’s not your own,
    You may think the world’s your oyster but it’s bone, bone, bone:
    They are there, the examiners are there

    They assume it as an impost or they take it as a toll,
    The contractors grant them all that they incontinently stole,
    They will shrivel your ambition with their quality control,
    They will desiccate your passion, then eviscerate your soul,
    Wring your life out like a sponge and stuff your body down a hole,
    They are there, they are there
    They are there, the examiners are there

    They can parse a Latin sentence; they’re as learned as Plotinus,
    They’re as sharp as Ockham’s razor, as subtle as Aquinas,
    They define us and refine us with their beta-query-minus,
    They’re the wall-constructing Emperors of undiscovered Chinas,
    They confine us, then malign us, in the end they undermine us,
    They are there, they are there
    They are there, the examiners are there

    In the desert of your dreaming they are humped behind the dunes,
    On the undiscovered planet with its seven circling moons,
    They are ticking all the boxes, making sure you eat your prunes,
    They are sending secret messages by helium balloons,
    They are humming Bach cantatas, they are playing looney tunes
    They are there, they are there
    They are there, the examiners are there

    They are there, they are there like a whisper on the air,
    They are slippery and soapy with our hope and our despair,
    So it’s idle if we bridle or pretend we never care,
    If the questions are superfluous and the marking isn’t fair,
    For we know they’re going to get us, we just don’t know when or where,
    They are there, they are there
    They are there, the examiners are there

  • Good News (& Bad News)

    Nothing has changed
    As if we’re off the radar, far out of range
    And the newspaper headlines
    Are just the same
    As yesterday

    Everything’s still
    Where there’s no way, well, I guess, there’s no will
    And there isn’t even time to kill
    Or while away
    The time of day

    And the good news is that there is no news
    Nothing has changed at all
    And the bad news is that there is no news
    You don’t write
    You don’t call

    I’m in two minds
    Don’t wanna fast forward and there’s no rewind
    I know dirt can’t hurt me
    I’m half resigned
    and hope combined

    So what are you for?
    Your dead silence
    Is hard to ignore
    And so “no word” is all
    I know for sure
    Nothing more

    But the good news is that there is no news
    Nothing has changed at all
    And the bad news is that there is no news
    You don’t write
    You don’t call

  • The World In Song

    I had a dream
    At first, there was nothing, silence
    Then a low sweet sound
    That turned into a chord and we were born
    And the stars they sang a melody
    And breathed life into you and me
    And nature danced to the law of this song
    And we emerged to sing along
    The whole world was harmony
    And Look Out! Here we come!

    Universe becomes a chorus
    Let the world try to ignore us
    Distant galaxies explore us
    We’re the world in song
    You and me are universal
    We don’t need no more rehearsal
    Welcome to our role reversal
    We’re the world in song

    Here’s what it means
    We have been hidden for too long
    It’s time we re-emerged
    Out into the world to sing our song
    Leave this room we’ve been holed up in
    Open the door and let life begin
    A dream has told me something new
    About the world that’s home and you
    I woke up feeling good
    And you look so beautiful asleep

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Self-Titled (2013)

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Who Was Changed and Who Was Dead (2009)