Songs of Misfortune

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Recorded at Troy Savings Bank, Troy, NY (3/28-30/05)

Performed by The Love Hall Tryst

Hurdy Gurdys: Rebecca Arkenberg & JWH

Recorded and Engineered by David Seitz

Assisted by Raeann Zschokke

(additional assistance by Rene Christensen & Kieran Rafferty)

Songs 12 & 13: Recorded at Chroma, Seattle, WA (4/18/05)

Performed by The Minstrel in the Galleries

Vocals, Guitar: John Wesley Harding
Electric Guitar: Kurt Bloch
Mandolin, Accordion: Jed Critter
Bass: Jim Sangster
Drums: Mike Musburger

Engineered by Kurt Bloch

Mixed by Wesley Stace and David Seitz

Assisted by Raeann Zschokke at Shelter Island Sound, NYC (5/8/05)

Mastered by Emily Lazar at The Lodge, NYC

Photography and Design by Abbey Tyson, Saltbox Studio

Press by Dawn Kamerling at The Press House

Booking by Mike Leahy at Concerted Efforts, NY

All vocals arranged by The Love Hall Tryst. All songs published by TOWNSONGS (ASCAP), except Joan of Arc © Leonard Cohen (Sony/ATV Songs LLC, BMI)

  • Do Not Fear The Dark or The Seamstress of Bethnal Green

    It fell upon the Eustace Eve, close by Bethnal Green
    A pretty little seamstress lived in a house so mean
    Her husband’s name it was McRae and her own was Bryony
    Her apron would not fit her, a family there would be

    And in the quiet of the night, she dreamed a cruel dream
    The pretty needlewoman who lived by Bethnal Green
    Death, he would come unto her and take the child away
    She woke in such a fright upon that dark and dismal day

    In Bethnal on the Eustace morn, evil is abroad
    And when the sun has risen come a knock upon the door
    Don’t you let him in my dear, his name you first must learn
    He is a noble soldierman, his name is called Redfern

    On the floor lies poor McRae, (all) murdered in his gore
    As Redfern turns to Bryony, a-wipin’ of his sword
    Wipin’ of his sword, he says, (now) no more shall you sew
    (I’ll) speak for you and your baby with but a single blow

    As he step-ed up to her, the seamstress she did flee
    Through the streets of Bethnal and to the Rookery
    She went into the bleeding house to hide herself away
    Death was waiting there for her (just) as the dream did say

    Death, oh Death, my babe’s not born, do not take her from me
    It is not she I take from thee, but you must come with me
    Death, Oh Death, have pity please though I must say goodbye
    Save my precious little child who wasn’t meant to die

    And God is good and merciful and on his grace we thrive
    For though her parents two were killed, the babe she did survive
    So, helpless babes and children all, pray do not fear the dark
    For though the thunder roars, your God will send to you an ark
    You little babes and children all, do not fear the dark
    (For) when the Day seems over, yet the daylight isn’t far

    (words: Harding)

  • Joan of Arc (The Ballad of La Pucelle)

    The flames they followed Joan of Arc
    as she came riding through the dark;
    no moon to keep her armour bright,
    no man to get her through this very smoky night.
    She said, "I’m tired of the war,
    I want the kind of work I had before,
    A wedding dress or something white
    To wear upon my swollen appetite."
    Chorus

    (I’m) glad to hear you talk this way,
    (I’ve) watched you riding every day
    and something in me yearns to win
    such a cold and lonesome heroine.
    "And who are you?" she sternly spoke
    to the one beneath the smoke.
    "Why, I’m fire," he replied,
    "And I love your solitude, I love your pride."
    Chorus

    "Then fire, make your body cold,
    I’m going to give you mine to hold,"
    saying this she climbed inside
    to be his one, to be his only bride.
    (And) deep into his fiery heart
    he took the dust of Joan of Arc,
    and high above the wedding guests
    he hung the ashes of her wedding dress.
    Chorus

    It was deep into his fiery heart
    he took the dust of Joan of Arc,
    and then she clearly understood
    if he was fire, oh she must be wood.
    I saw her wince, I saw her cry,
    I saw the glory in her eye.
    Myself, I long for love and light,
    but must it come so cruel, and oh so bright?
    Chorus

    (words: Cohen)

  • Lord Bateman

    Lord Bateman was a noble lord,
    A noble lord of high degree.
    And he shipped himself on board a ship,
    Some foreign country he would go see.

    He sailed East, he sailed West,
    Until he came to proud Turkey.
    Where he was taken and put in prison,
    Till his life was quite weary

    And through his shoulders they put a bore
    And through each bore, they put a tree
    And made him draw the carts of wine
    Where horse and oxen were wont to be

    The Turk he had one only daughter,
    The fairest lady you ever did see
    She stole the keys of her father’s prison,
    And said Lord Bateman she would set free.

    Have you got houses, have you got lands?
    And does Northumberland belong to thee?
    And what would you give to the fair young lady,
    As out of prison would set you free?

    Oh I’ve got houses and I’ve got lands,
    And half Northumberland belongs to me;
    And I’d give it all to the fair young lady,
    As would release me and set me free.

    She’s taken him to her father’s hall
    And given to him a glass of wine.
    And ev’ry health that she drank to him:
    Was I wish, Lord Bateman, that you were mine.

    For seven long years I’ll make a vow,
    And seven long years I’ll keep it strong;
    If you will wed with no other lady,
    Then I will wed no other man.

    She’s taken him to her father’s harbour,
    And given to him a ship of fame:
    Farewell, farewell to you, Lord Bateman,
    I fear I’ll never see you again.

    Seven long years were up and past
    Seven long years, well known to me
    She’s packed up all of her gay clothing,
    And said Lord Bateman she would go see.

    And when she’s come to Bateman’s castle,
    So loudly then she rang the bell.
    Who’s there? Who’s there? cried the proud young porter
    Who is there, come to me tell.
    Isn’t this Lord Bateman’s castle?
    And is Lord Bateman here within?
    O yes! O yes! cried the proud young porter
    He’s just now taken his new bride in.

    Tell him to bring me a slice of bread,
    And bring a bottle of the very best wine;
    And not to forget the fair young lady
    That did release him when close confined.

    Away, away went the young proud young porter,
    Away, away and away went he,
    And when he’s come to Bateman’s chamber,
    Then down he fell on bended knees.

    What news, what news, you proud young porter
    What news, what news, have you brought me?
    There is the fairest of fine young ladies
    That ever my own two eyes did see.

    She has a ring on every finger
    And on one finger she has three
    There is more gold sparkling on her brow
    Than ever my own two eyes did see

    She bids you bring her a slice of bread,
    And bring a bottle of the very best wine;
    And not to forget the fair young lady,
    That did release you when close confined.

    Bateman rose all in a passion
    He broke his sword in splinters three (alt)
    I’ll give up all of my father’s land
    If my Sophia has come to me

    Quickly he ran down the steps
    Of fifteen steps he made but three (alt)
    He’s taken her into his arms
    And he kissed her tenderly

    Then up spoke the young bride’s mother
    Who never was heard to speak so free
    What will you give to my only daughter
    If your Sophia has crossed the sea.

    I own I wed your only daughter;
    She’s neither the better nor worse for me.
    She came to me on a horse and saddle;
    But she’ll go home in a carriage and three.

    Bateman prepared another wedding,
    With all their hearts so full of glee.
    O never more will I cross the ocean
    Now my Sophia has come to me

    (words: Trad Arr Harding)

  • Female Rambling Sailor

    Come all you maids, both near and far
    And listen to my story
    ’Twas near Gravesend there lived a maid
    She was both neat and pretty.
    Her true love he was pressed away
    And drowned in some foreign sea
    Which caused this fair maid for to say
    ’I’ll be a female sailor.’

    This maiden was resolved to go
    Across the foaming ocean
    She was resolved to let them know
    How she could gain promotion
    With jacket blue and trousers white
    Just like a sailor neat and tight
    The sea it was the heart’s delight
    Of the female rambling sailor

    Like a sailor true she went on board
    All for to do her duty
    She was always ready at a call
    This maid the queen of beauty
    When in a calm this damsel young
    Would charm the sailors with her tongue
    As she walked the decks and sweetly sung
    The female rambling sailor

    When in the storm upon the sea
    She was ready at her station
    Her mind as calm as calm could be
    She loved her occupation
    From stem to stern she boldly goes
    She braves all dangers, fears no foes
    But soon you’ll hear the overthrow
    Of the female rambling sailor

    This maiden did a wager lay
    She’d go aloft with any
    And up aloft she straight did go
    Where times she had been many
    The maiden bold oh sad to tell
    She missed her hold and down she fell
    And calmly bid the world farewell
    Did the female rambling sailor

    This maiden gay did fade away
    Just like a drooping lily
    Which made the sailors sigh and say
    Farewell, faithful young Willy
    When her snow white breasts in sight they came
    They saw it was a female frame
    Rebecca Young it was the name
    Of the female rambling sailor.

    May willows wave around her grave
    And round the laurels planted
    May roses sweet grow at the feet
    Of one who was undaunted.
    May a marble stone be inscribed upon
    Here lies one so lately gone
    A maiden fair as sun shone on
    The female rambling sailor

    So, come all you maids, both near and far
    And listen to my story
    Her body’s anchored in the ground
    Let’s hope her soul’s in glory.
    On the river Thames she was known well
    No sailor there could her excel
    One tear let fall as a last farewell
    To the female rambling sailor.

    (words: Trad arr Harding)

  • Lord Lovel

    Lord Lovel stood at his castle gate,
    A-combing his milk-white steed
    Along comes Lady Nancy Bell,
    Wishing her lover good speed
    Wishing her lover good speed

    "Where are you going, Lord Lovel?" she said,
    "O where are you going?" said she
    "I’m going, my dear Nancy Bell,
    Strange countries for to see
    Strange countries for to see.”

    "And Will you return, Lord Lovel?" she said,
    "Oh, will you return to me?”
    "In a year or two or three
    I’ll return to my Lady Nancy
    Return to my Lady Nancy.”

    He hadn’t been gone but a year and a day,
    Strange countries for to see,
    When a stranger thought came to his head
    To go to his Lady Nancy
    Go to his Lady Nancy

    He rode and he rode upon his white horse,
    Till he came to his town
    And there he heard the old church bell,
    And the people all mourning round
    People all mourning round

    "Is someone dead?" Lord Lovel said,
    A-gazing on the spire
    “It’s Nancy, Lady Nancy’s died
    For a discourteous squire
    For a discourteous squire

    He ordered “Open up the grave
    And pull the shroud down low
    Nancy died for me today
    I’ll die for her tomorrow
    I’ll die for her tomorrow

    And from her grave grew a red rose
    And from his heart a briar
    They grew and grew till they reached the church top
    And there could grow no higher
    And there they twined in a true lover’s knot
    For lovers to admire.

    (words: Trad Arr Harding)

  • The Sanguinary Butcher

    'Twas in the Royal Town of Rye, on a night dreadful and cold
    James Lamb the Mayor unlocked his door and walked out all alone
    His son he had invited him his ship to come aboard
    But the mayor would rather stay at home all as the thunder roared

    He saw a man out in the street, and recognized his face
    And asked this man, his wife’s brother, to go all in his place
    Why yes dear Lamb I’ll go for you, the fateful words he said
    If ‘n you will lend to me your cloak that is blood red

    Breeds the Butcher sat alone, a-sharpenin’ his knife
    For he knew James Lamb the mayor went on the ship that night
    Lamb had fined the butcher Breeds for serving measures short
    And in revenge Breeds swore to kill the mayor of the Cinque Port

    It was just behind St. Mary’s Church, close by the Ypres Tower
    He hid himself behind a grave until the fateful hour
    He recognized the blood red coat just as it passed him by
    Out came Breeds and stabbed his foe with his butcher knife

    Now all things being silent, Lamb dreamed an awful dream
    His dead wife’s spirit came to him to warn him as it seemed
    (The) second time she came that night, he saw a ghostly light
    She said “Go find my brother dear, for Murder walks tonight”

    Three times she appeared to him, her husband in his bed
    And on the third he rose to find the poor ghost’s brother dead
    The knife was found upon a grave by some brave local man
    And Breeds still drunk upon the town sang “Butchers should kill lambs”

    He got no mercy at the trial, the judge he was no friend
    For it was the same James Lamb whose life he’d meant to end
    The murderer, he was hanged beneath the Strand Gate Arch
    His body put into a cage and hanged upon the marsh

    They put his skull in Rye Town Hall, and there it is today
    “Killed by a sanguinary butcher” writ upon a grave
    So, come all ye who seek revenge and look upon John Breeds
    Who murdered one he never knew and was hung by his enemy

    (words: Harding)

  • Shallow Brown

    Shallow Brown, you’re going to leave me
    Shallow, Shallow Brown
    Shallow Brown, you’re going to leave me
    Shallow, Shallow Brown

    Shallow Brown, don’t you deceive me
    Shallow, Shallow Brown
    Shallow Brown, don’t you deceive me
    Shallow, Shallow Brown

    You’re going away across the ocean
    Shallow, Shallow Brown
    You’re going away across the ocean
    Shallow, Shallow Brown

    And will you climb them distant mountains?
    Shallow, Shallow brown
    Try to find them crystal fountains?
    Shallow, Shallow brown

    You said I love you Juliana
    Shallow oh shallow brown
    I truly love you Juliana
    Shallow oh shallow brown

    You’ll always be my heart’s devotion
    Shallow, Shallow Brown
    You’ll always be my heart’s devotion
    Shallow, Shallow Brown

    For your return my heart is burning
    Shallow, Shallow Brown
    For your return my heart is burning
    Shallow, Shallow Brown

    When you return, we will get married
    Shallow, Shallow Brown
    When you return, we will get married
    Shallow, Shallow Brown

    Shallow Brown, you’re going to leave me
    Shallow, Shallow Brown
    Shallow Brown, you’re going to leave me
    Shallow, Shallow Brown

    (words: Trad Arr Harding)

  • Lambkin

    Lambkin was as good a mason
    As ever laid a stone
    He built Lord Murray’s castle
    Murray paid him none

    Lambkin came down to the house
    When Murray’s far from home
    He came to get his silver
    Murray paid him none

    All the doors were shut up tight
    All the windows pinned
    But there was a false false nurse
    Lambkin he slipped in

    Where’s the lady of the house?
    Asked Lambkin to the nurse
    She’s in her chamber sewing
    She will not come down

    Where’s the heir of the house?
    Asked Lambkin to the nurse
    He’s lying in his cradle
    Stick him with a pin

    Lambkin pricked that baby
    All over with a pin
    The nurse held up a basin
    For the blood all to run in.

    Mistress dear, Mistress dear
    Hear your baby cry
    If you don’t come down to help
    He will surely die

    Lady Murray come downstairs
    Not thinking any harm
    Lambkin he awaited her
    Took her by the arm

    Spare my life! Spare my life!
    Spare my life so sweet
    And you shall have as many coins
    As stones lie in the street

    Shall I kill her, Lambkin said
    Or shall I let her be
    Kill her, Lambkin said the nurse
    She was never good to me

    Scour the silver basin, nurse
    Scour it fair and clean
    Then hold up the silver
    For her blood all to run in

    Before the silver basin was
    Both scour-ed fair and clean
    Lady Murray’s life blood
    Was dripping on the stone

    Murray has arrived at home
    Opened up the door
    When he saw his dear wife
    Dead upon the floor

    “There’s murder in the kitchen, sir
    Slaughter in the hall
    Lambkin’s killed your son and heir
    Your lady fair and all”

    Lambkin shall be hung to death
    On a gallows high
    And the nurse’s body shall be burnt
    In an oven that’s near by

    Here you are then, Lambkin
    I’ll give you your fee
    The false nurse shall be burned
    And you’ll be hanged upon a tree

    (words: Trad Arr Harding)

  • The Lady Dressed in Green

    There was a lady dressed in green
    Fare a lair a lido
    There was a lady dressed in green
    Down by the greenwood side

    She had a baby in her arms
    Fare a lair a lido
    She had a baby in her arms
    Down by the greenwood side

    She had a penknife long and sharp
    Fare a lair a lido
    She had a penknife long and sharp
    Down by the greenwood side

    She stuck it in the baby’s heart
    Fare a lair a lido
    She stuck it in the baby’s heart
    Down by the greenwood side

    She went to the well to wash it off
    Fare a lair a lido
    She went to the well to wash it off
    Down by the greenwood side

    The more she washed, the more it bled
    Fare a lair a lido
    The more she washed, the more it bled
    Down by the greenwood side

    There came a knocking on the door
    Fare a lair a lido
    There came a knocking on the door
    Down by the greenwood side

    There came three bobbies rushing in
    Fare a lair a lido
    There came three bobbies rushing in
    Down by the greenwood side

    They asked her what she did last night
    Fare a lair a lido
    They asked her what she did last night
    Down by the greenwood side

    She said I killed my only son
    Fare a lair a lido
    She said I killed my only son
    Down by the greenwood side

    (words: Trad Arr Harding)

  • The Abandoned Baby

    When forth in my ramble, intending to roam
    To an alehouse I ambled most free
    Far from the town, I did spend near a pound
    Until I became fuddled most really.

    I sat down to sleep for an hour on the cheap
    And I had me a dream worth the telling
    Till I awoke, in my rib felt a poke
    And the landlord was doing the yelling

    I walked straight outside, and attempting to hide
    On a dustpile did settle to rest
    And on top of the mound, there I saw a white hound
    Who suckled a child at her breast

    ‘Hello and good day’ I attempted to say
    But the dog she growled at the moon
    (She said ‘I’m) not talking to a poor boy such as you
    With none but a song as your fortune’

    I have seen a ghost fly on the wings of the night
    And a dead man return from the war
    (I have) heard of a queen who gave birth to thirteen
    But I ne’er heard a dog talk before

    I kept far away while this canine did say
    ‘(This) baby is mine for the giving
    (I’m her) guardian here and I’ll wait till appears
    A lord with a very large living’

    ‘Fate’s in my paws and this baby’s not yours
    Abandoned by father and mother
    Hear him softly weep while he’s trying to sleep
    We will patiently wait for another’

    So we did wait on that lowly estate
    (Till a) carriage arrived from the distance
    (Which) stopped in its tracks as if chopped by an axe
    With none but His Divine Assistance

    (And she) Barked to be heard, the dog true to her word
    Till the Lord heard this savage and wild
    And got her to stop, as they offered a chop
    To exchange for the innocent child

    And into that carriage they handed the babe
    And may nobody call me a liar
    But the arms of the one on whom fortune had shone
    Was the sign of the Rose and The Briar

    And so they made hayste with that baby away
    Yes off went that coach like the flyer
    And the arms of the one on whom fortune had shone
    Was the Bonny Red Rose and The Briar

    And the dog too gone home as her work now was done
    The hound who loved foundlings and orphans
    (May this) country of ours care as much for the poor
    As that hound on the outskirts of London

    Good luck to that child who was born nearly wild
    And pardon my common effrontery
    Perhaps you have grown to be quite as unknown
    Or perhaps you’ll be King Of This Countrie

    And when you do rule, please remember the cruel
    Way that nature gave you your beginning
    And think of the hound on the desolate mound
    And please forgive singers their sinning
    And please forgive sinners their singing.

    (words: Harding)

  • Jack in The Green

    Out of your bed, forget all your sleep
    There’s maidens with garlands and chimney sweeps
    Jack, Jack, Jack in the Green
    He’s ten foot tall in a floral crown
    And everybody has gathered around
    for Jack, Jack, Jack in the Green
    Look how he comes down Rock A Nore Road
    Covered in flowers wherever he goes
    Jack, Jack, Jack In The Green
    Jack, Jack, Jack In The Green
    Jack, Jack, Jack In The Green
    The strangest king that you’ve ever seen
    Jack, Jack, Jack In The Green

    Cheer as he passes, he’s King for a day
    His cronies are with him, they’re clearing the way
    Jack, Jack, Jack In The Green
    All of the giants proceeding with joy
    The Hon’rable String and The Lilywhite Boys
    Jack, Jack, Jack in the Green
    One of his henchmen is looking at you
    Look in the mirror, and you’re green too
    Jack, Jack, Jack in the Green
    Chorus

    Some say the dance will be good for the crops
    While we consider, let’s drink of the hops
    Jack, Jack, Jack in the Green
    Then up to the castle covered in moss
    Pull up the drawbridge and drum him across
    Jack, Jack, Jack in the Green
    There he sits on high alone
    Watching the morris from up on his throne
    Jack, Jack, Jack in the Green
    Chorus

    Get to the front, that’s my advice
    For nothing’s complete without his sacrifice
    Jack, Jack, Jack in the Green
    They’ll tear him to bits, hand out the leaves
    Good Luck to you if you get one of these
    Jack, Jack, Jack in the Green
    With a good conscience, we drink our beer
    The spirit of summer released for the year
    Jack, Jack, Jack in the Green
    Chorus

    (words: Harding)

  • Do Not Fear The Dark (electric)

    See above.

  • Lord Bateman (electric)

    See above.

These songs are found, in various forms, in Misfortune, the novel by Wesley Stace. The relevant passages are quoted beneath the song titles. Misfortune is published, thus far, by Little, Brown (USA), Jonathan Cape (UK), Querido (Holland), Mondadori (Italy), Editions Flammarion (France), Modan (Israel), and Ten Points Publishing (Taiwan).

1. Do Not Fear The Dark

“I have two songs,” Pharaoh proclaimed. “One is new writ, though it has taken me some time to con, called Do Not Fear the Dark or The Seamstress of Bethnal Green.”

“No!” thundered Augustus. “We will not be sung at! Thrips, can we stop this now?”

Thrips attempted to answer, but Pharaoh, whose sole motivating force in life was to deliver a freshly minted song, would not be deflected. All Augustus’ power and money was no match for Pharaoh’s will to sing.

From: Voilà, Chapter Five

Words: Harding

Music: from a tune for Newgates, sung by Mrs. Russell at Upwey, February 1907, noted by H.E.D. Hammond in The Journal of The Folk-Song Society #11

2. Joan of Arc (The Ballad of La Pucelle)

There was a thick blue plank of a book called The Gallery of Heroick Women, which was meant to be inspirational to me. The stories told of the contributions of great women to history, most particularly, war – Boadicea, Artemisia, who had built the Mausoleum, and Joan Of Arc. My mother softly sang me The Ballad Of La Pucelle as I sucked my thumb.

From: I Am Reborn, Chapter Two

Words & Music: Leonard Cohen

3. Lord Bateman

I asked my father about Bateman, and surprisingly (since it is neither fragment of amphora nor ruined column – sometimes I forget he understands anything else…), he knew who he was: a character from one of what he calls the old songs, though he called him Young Bekie – Father had a very ‘singing’ aunt who raised him on these songs, the secret currency of all the people, she said, rich or poor. The ballad tells the story of Gilbert Beket (the father of St. Thomas), who went to the Holy Land and was taken prisoner by Saracens, whereby the daughter of his captor, Prince Admiraud, fell in love with him and, after helping his escape, followed him back to England.

This makes me Admiraud’s daughter! Which is a little better than being Franny, daughter of Owen Cooper, I think.

From: Land of Dreams, Chapter One

Words: Trad arr Harding

Music: sung by Mr. Joseph Taylor at Brigg, July 1906, noted by Percy Grainger in The Journal of The Folk-Song Society #12

4. Female Rambling Sailor

You dressed as a sailor?

In jacket blue and white trousers, just like a sailor neat and tight, the female rambling sailor. I went to sea to mourn his life. My hands were hard with pitch and tar, though once were velvet soft.

What happened to your hands?

My pretty little fingers, they were so neat and small.

And your wrists?

You soon shall hear of the overthrow of the female rambling sailor.

From: Land of Dreams, Chapter One

Words and Music: Trad arr Harding

5. Lord Lovel

Loveall recalled a previous Lord Loveall and the song that bore his name, and he sang it softly to the baby. This ancestor had deferred his marriage for seven years while he went travelling. He returned after only twelve months, but as he rode home, he heard the church bells ringing, “for Nancy Bell who died for a discourteous squire.” He died too of grief, as he gazed on her corpse lying in its coffin, and was buried next to her. From her heart grew a red rose and from his heart a briar… No one in the family doubted that this was an ancestor, particularly because the Loveall coat of arms featured the very same motif. It was a strange, unheraldic emblem, despite the official description of the rose in the Lex Pantophilensis as “gules, barbed and seeded proper,” but The Young Lord had always felt a deep spiritual attachment to the family insignia and used the entwined flowers, emblazoned on the very doors of the carriage in which he rode, as his signature. Others could keep their escutcheons of pretense, their water budgets and their compony counter-componies, he was happy with this simple sign and the motto beneath: Amor Vincit Omnia.

From: Anonymous, Chapter Two

Words: Trad arr Harding

Music: from various traditional versions, including a tune for Molly Bell sung by Ollie Gilbert, Spring 1963, noted by John Quincy Wolf Jr.

 6. The Sanguinary Butcher

This murder took place in Rye, East Sussex, in March 1742. John Breads was hanged in a gibbet iron that can be seen today in Rye Town Hall.

Words: Harding (inspired by Murder In The Churchyard by John Ryan)

Music: adapted from three different versions of The Red Barn or Murder of Maria Martin, sung by Mr. J. Whitby at Tilney All Saints, January 1905, and Mr. and Mrs. Verrall at Monk’s Gate, October 1904, noted by Ralph Vaughan Williams in The Journal of The Folk-Song Society #7

7. Shallow Brown

I couldn’t leave the hold, and the stench smothered me like a blanket. I felt the razor-sharp pins on their chins cut me in pricks. I bled and the room became darker and lighter and then darker and lighter. I wrote on the wall. I counted days. I sang songs to myself.

What songs did you sing?

The story of my life. How I was born and brought up.

Can you sing me that song?

I am singing it.

From: Land of Dreams, Chapter One

Words: Trad arr Harding

Music: sung by Mr. John Perring at Dartmouth, January 1908, noted by H.E. Piggott and Percy Grainger in The Journal of The Folk-Song Society #12

8. Lambkin

It was one of the old songs, his favourite of the many she sang: the story of Lambkin the builder who tortures Lord Murray’s family when his note is refused. The purity of Annie’s voice contrasted starkly with the words of her song and the street below… She had sung it so many times as a lullaby that the horror of the story was somehow soothing. Pharaoh joined in, slowly remembered what he was about, and began to bang on the front door with all his might.

From: Anonymous, Chapter One

Words: Trad arr Harding

Music: Harding

9. The Lady Dressed In Green

And Annie showed him a door he’d never seen before just beyond the bloody girl. As he went towards it, he tried not to look around or notice the gurgling from her body like water spitting from a loose pipe. He opened the door (“Go and we don’t want to see you till night!” snarled after him) and the outside world shone in its brightness. He looked up at the sky and exhaled, biting his lower lip until it hurt. He breathed in as though he had been submerged for the last ten minutes, drowning in thick paste, and, as he did, he heard the front door banging and the cry: “In the name of the law and His Majesty King George!”

From: Anonymous, Chapter One

Words: Trad arr Harding

Music: from the singing of a little girl at Saunders St. Orphanage, Southport 1915, noted by A.G. Gilchrist in The Journal of The Folk-Song Society #22:

“Margaret piped up in a fresh little voice, and lilted through her ‘ballet’ without a pause till she arrived breathless at the end – the rest sitting thrilled and spellbound through her performance. (A ring-game. Two in the middle personate mother and baby, with more or less dramatic action. The three ‘bobbies’ rap at the door. The mother ducks under the arms of the circle and goes to let them in. They rush in, seize the mother and hale her off to prison, and the ring breaks up. The children in the ring dance gaily round the whole time, until the ‘bobbies’ rush in.)” p.81

10. The Abandoned Baby

It was one of the collection of ballads that, a lifetime ago, we had restored and catalogued in the library. What sort of information could a ballad have for me?

“Rose,” he said. “Please look.”

He was pointing to the publication date. It was the year after my birth.

“So?” I said.

“Look at the picture.”

The pictures never had anything to do with the text, I wanted to say, but I decided to humour him. I looked at the whole broadside for the first time. The banner at the top said simply: “THE ROSE AND THE BRIAR or THE ABANDONED BABY SAVED FROM THE HOUNDS – An excellent ballad to a merry old Tune, called The Old Wife She Sent to the Miller Her Daughter from the publisher of The Last Confession Of James Riley, Highwayman.” And below this, before the ballad proper began, there was a comparatively well executed woodcut of a coach in front of a castle, with details I was unable to quite take in.

From: Land of Dreams, Chapter Three

Words and Music: Harding

11. Jack In The Green

The jousting exhibition passed “without grave incident,” the dances of the local children “pleased young and old alike,” as did the singing of the Sunday school (the same children), and “even in a happy crowd of over 400, there were no arrests.”

From: I Am Reborn, Chapter One

Words: Harding

Music: Black, White, Yellow and Green (traditional), as heard on Shirley and Dolly Collins’ album, Anthems In Eden

12. Do Not Fear The Dark (electric)

Performed by: The Minstrel in the Galleries

13. Lord Bateman (electric)

Performed by: The Minstrel in the Galleries

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