The sources for all these songs were a variety of different tapes in various states of disrepair: two inch 24 track masters, quarter inch 2 track mixes, half inch 16 track (a particularly hard machine to find in America today), cassettes… you name it. Some we remixed, some we couldn’t (so we did what we could).
LOVE’S SACRIFICE
Guitar, Vocals, Percussion: JWH
Electric Guitar: Mike Leahy
Drums: Pete Thomas
Bass: Bruce Thomas
Backing Vocals: Brian Lohmann
Originally recorded at Turbot Studios, Hammersmith (4/14/89)
Engineered by Barry Farmer
Extra recording done at Shelter Island Sound, NYC (5/5/04)
Engineered and Mixed by David Seitz
Assisted by Andrew Solin
ROY ORBISON KNOWS
Guitar, Vocals: JWH
National Guitar: Roger Hubbard
Keyboards: Kenny Craddock
Bass: Colin Gibson
Originally recorded at Invisible Studios, Crowhurst (early 1989)
Engineered by Kenny Craddock and Colin Gibson
Mixed by David Seitz at Shelter Island Sound, NYC
Assisted by Andrew Solin
THE DEVIL IN ME
Guitar, Vocals: JWH
Electric Guitar: Steve Donnelly
Bass: Paul Bass
Drums: Pete Thomas
Originally recorded by Barry Farmer at The Strong Room, Shoreditch (1/21/89)
Overdubs recorded at Turbot Studios, Hammersmith
Mixed by David Seitz at Shelter Island Sound, NYC
Assisted by Andrew Solin
SAME THING TWICE
Guitar, Vocals: JWH
Drums: Pete Thomas
Bass: Paul Bass
Guitar: Steve Donnelly
Backing Vocals: David Lewis
Banjo, Harmonica: Julian Dawson
Originally recorded by Barry Farmer at Turbot Studios, Hammersmith (4/14/89)
Mixed by David Seitz at Shelter Island Sound, NYC
Assisted by Andrew Solin
BROWNING ROAD
Guitar, Vocals: JWH
Electric Guitar: Mike Leahy
Electric Guitar solo: Steve Donnelly
Bass: Paul Bass
Drums: Pete Thomas
Originally recorded by Barry Farmer at The Strong Room, Shoreditch (1/21/89)
Extra Recording done at Shelter Island Sound, NYC (5/6/04)
Engineered and Mixed by David Seitz
Assisted by Andrew Solin
LOVER’S SOCIETY
Guitar, Harmonica, Vocals: JWH
Electric Guitar: Steve Donnelly
Piano: Geraint Watkins
Bass: Paul Bass
Drums: Pete Thomas
Originally recorded by Barry Farmer at The Strong Room, Shoreditch (1/21/89)
Extra Recording done at Shelter Island Sound, NYC (5/6/04)
Engineered and Mixed by David Seitz
Assisted by Andrew Solin
SCARED OF GUNS
Guitar, Vocals: JWH
Electric Guitar: Steve Donnelly
Piano: Geraint Watkins
Bass: Paul Bass
Drums: Pete Thomas
Originally recorded by Barry Farmer at The Strong Room, Shoreditch (1/21/89)
Mixed by David Seitz at Shelter Island Sound, NYC
Assisted by Andrew Solin
WHO YOU REALLY ARE
BAD FRUIT
Guitar, Vocals: JWH
Recorded by Barry Farmer at Turbot Studios, Hammersmith (6/19/88)
Digitally enhanced by Andrew Solin
POUND POUND POUND
Guitar, Vocals: JWH
Recorded by Roger Chatterton at Kite Studios, Cambridge (5/11/88)
Digitally enhanced by Andrew Solin and Dave Seitz
ONE NIGHT ONLY
Vocals: JWH
All Instruments: Steve Nieve
Produced and recorded by Steve Nieve, London (1988)
Digitally enhanced by Andrew Solin and Dave Seitz
THE NIGHT HE TOOK HER TO THE FAIRGROUND
Vocals, Guitar: JWH
Electric Guitar: Adam Barker
Bass: Andy Thurston
Drums: Greg Salter
[Collectively known as The Accelerators]
Recorded by Roger Chatterton at Kite Studios, Cambridge (1/12/86)
SAVE A LITTLE ROOM FOR ME
Guitar, Vocals: JWH
National Guitar: Roger Hubbard
Keyboards: Kenny Craddock
Bass: Colin Gibson
Originally recorded at Invisible Studios, Crowhurst (early 1989)
Engineered by Kenny Craddock and Colin Gibson
YOU CAN’T TAKE IT WITH YOU
Guitar, Vocals: JWH
Harmonica, Backing Vocals: Julian Dawson
Electric Guitar: Steve Donnelly
Piano: Geraint Watkins
Bass: Paul Bass
Drums: Pete Thomas
Originally recorded by Barry Farmer at The Strong Room, Shoreditch (1/21/89)
Overdubs recorded at Turbot Studios, Hammersmith
Mixed by David Seitz at Shelter Island Sound, NYC
Assisted by Andrew Solin
All songs written by John Wesley Harding and published by TOWNSONGS (ASCAP)
It Never Happened at All
-
Love's Sacrifice
You got dirty hands
And you can’t wash the stain off
Looks like it rained too hard last night
And the water won’t drain off
The morning mirror will reveal
What you’ve long tried to conceal
Looks like you paid the price
For cowardice in the face of Love’s Sacrifice
Love’s Sacrifice
If you were a saint
You would have acted better
But there’s no time for prayer
And you lost my letters
Can’t you see it in the stars
The silver fenders of brand new cars
Looks like you should have thought twice
About bearing the burden of Love’s Sacrifice
Love’s Sacrifice
You keep your secrets hidden close
For when you wanna let off steam
And one sin is bigger than pride
Guess you know what I mean
Can’t you see me in the splutters and coughs
Of TVs when they are turned off
Now you’re on your own
And the nurses treat you kindly
A lonely old man with no visitors
Loves is blind
But you were blind, you couldn’t see
To give up graciously
Looks like you should have thought twice
About bearing the burden that is Love’s Sacrifice
Love’s Sacrifice -
Roy Orbison Knows
Well your voice grips me tight like fingers
Takes hold of whatever’s inside
Though we try to harmonize with different singers
When we’re out of tune at least we’ll know we’ve tried
Baby, it’s a hopeless feeling
Leaves Mr. Logic reeling
I love you, I know
But what does that mean
When the only place forward is where we’ve just been
It’s time to think twice
It’s time to decide
Turn and keep walking or be my bride
Or be my bride
Or be my bride
Well Roy Orbison, he knows that I can’t forget you
Well he told me last night at forty-five
Hope this honesty doesn’t honestly upset you
He said 'to lie is death to love’, I know we’re still alive
Baby when the morning’s breaking
So many actresses have already started faking
I love you I know
But it’s not such a big deal
I’m gonna tape you this song on my reel to reel to reel
It’s time to think twice
Make up your mind
Take me to the altar or leave me behind
Or leave me behind
Or leave me behind
Well my memories, they lie to me just because they want to
Well, like a runaway train, you know I have no control
I’m gonna tell them where you live so they can go and haunt you
And take back all the parts of me you stole
But I no longer feel like crying
My nervous system’s dying
I love you I know
But I’m anaesthetized
I was foolishly hopeful, now I’ve realized
It was time to think twice
You had to go
I hope that you blossom, I hope that you grow
Write me a postcard, make it some little thing
If you get married, I’ll carry the ring
If you get married, introduce me to him
Introduce me to him, introduce me to him -
The Devil in Me
I shot John F. Kennedy in Dallas in 63
They blamed it on Oswald carelessly
But it was the devil in me
Put Jesus on the cross, I put a gag on the Boss
I kissed him on the cheek so he couldn’t speak
But that was the devil in me
It was the devil in me
It’s the devil in me that’s unlevelling me
Put it down to the devil in me
I made you breakfast, put poisoned sheets on the bed
I made you cry, coulda made you laugh instead
But that was the devil in me
So I killed you off, I tore your famous brown furcoat
I laughed at your cough, ignored your suicide note
But that was the devil in me.....
I blew up the bus, I started World War III
Hijacked the plane with Qadaffi, blew the hostages free
That was the devil in me
I’m sponsored by a company that I don’t believe in
I advertise their things for cash, that ain’t deceiving
No, that’s just the devil in me
It was the devil in me....
I gave you acid rain
I polluted the sea
I covered your thoughts up
With graffiti
You can call me by my real name
Or you can call me humanity
Because it all seems just like human behaviour
It all seems like human behaviour to me
Put it down to the devil in me
It was the devil in me
It was the devil in me
Well it’s the devil in me makes me do these things
Devil in me that makes me sing
Devil in me gave you a wedding ring
Put it down to the devil in me -
Same Thing Twice
He’s done it all a million times
The gags, the repartee, the little crimes
Every audience is special and that goes for you
He looks into your eyes again
He never does it but he tries again
That old boy lost look could bruise you black and blue
Everybody’s looking for a single row so they can be alone
Cos every time the lights go up, they’d rather be at home
I looked through all the wanted ads with a fine toothed comb
And all I came up with was another evening
Doing the same thing twice
That’s what I was doing
All the drinks that he’s been sinking
Never ask him what he’s thinking
Every audience is unique and that goes for you
Dead or alive you’re coming with me
Because everything’s my cup of tea
That’s why I’ve got a gold suit and some green Italian shoes
Everybody says they had, but we all know they didn’t
It’s impossible to be a little bit pregnant
Give me the whole fruit cos I’m getting just a segment
And all I end up with is another evening
Doing the same thing twice
Well it hurts so bad to get this stoned
By ugly looking bureaucrats with ears like headphones
Reading The Sun, Sunday Sport, S. Ideal Home, Woman’s Own
Looks like you’re on your own
Bring me on the magic sponge
My dying gasp, my final lunge
It’s all over now bar the dance
Do it now but don’t get caught
I’ve been having third thoughts
They can be so clever, only when the script demands
You cluttered up the sky now so you can’t follow any star
Someone’s sitting next to you in an empty cinema
No-one wants to end up face down in a reservoir
And I don’t wanna end up with another evening
Saying the same thing twice -
Browning Road
The cats are howling round the dustbins
They’re all into that trash
But they’re heading to Clubville later
For their PR company bash
The sun is setting on the first act
And I have bought new shoes
And I’m going down to Browning Road
Just to be seen with you
The philosophers are out on Sartrean sulphate
Say I don’t exist
But I’m tune in the spoon in the June moon
Must be something I missed
They disappear backwards when they use big words
When the small ones just won’t do
And I’m going down to Browning Road
Just to be seen with you
Romantic ain’t the word for what you do to me
Maybe frantic, mantic, transatlantic
Baby, get a message from me
The poets pose in the prosaic
They say everything must rhyme
But down Browning Road they’re all stitched up
Because nothing keeps time
Out here, the dealers get up at seven
To push their big deals through
And I’m rockin’ on down Browning Road
Just to be seen with you
Well, you know that there’s trouble in the fundamental factory
Something’s rotting on this estate
We would have done something about it
But when we were born it was much too late
Sick analysts are traveling inwards
Even Jesus has got the blues
So I’m going down to Browning Road
Just to be seen with you
Romantic ain’t the word for what you do to me
Maybe, frantic, semantic, oh transatlantic
Hey, Baby, can’t you see
That when the sun hits heavy on your selfishness
And the light in your heart gets dark
And you're sick of the sight and the stink and the steam
In this everyday amusement park
Well I’ll throw in my hand when I’m on a roll
Pick up my rockin’ shoes
And then I’ll go down to Browning Road
Cos I just wanna be seen with you -
Lovers Society
Well they’re taking minutes to do what takes me hours
At the lover’s society
Well they’re sending out tenders for new ivory towers
At the lover’s society
And the chairman’s so together
Drinks coffee from a lover’s cup
It’s always lover’s weather
If Bitterness would just button up
He doesn’t need sugar, we all know why
When he’s planning a broken heart bring and buy
I wanna belong and I wanna be part of the lover’s society
I wanna belong and I wanna be part of the lover’s society
They shouldn’t mess with me, no
They shouldn’t mess with me
They talk about things that do not make my agenda
At the lover’s society
The committee are emotional big spenders
At the lover’s society
They’ve always got a quorum
They love to love to always agree
That this is the lover’s famous forum
And they’ve excluded cynical me
They say it’s paranoia, and I’ve got the patent
But I think it’s paranormal that they’re so blatant
I wanna belong and I wanna be part of the lover’s society
I wanna belong and I wanna be part of the lover’s society
They shouldn’t mess with me no
They shouldn’t mess with me
Casanova and Don Juan talk cold turkey in the corner
At the lover’s society
Sylvia Plath and Mrs. Browning they just go for a sauna
At the lover’s society
I’m standing at the lover’s keyhole
With half a bottle of Becks
Cos it sure felt cold and lonely
Sucking my thumb in the annex
You should see the archives on the shelf
Proves every lover just loves him or herself
I’m vaguely bitter cos they’ve written to me
Out of the text of the lover’s Society
I wanna belong and I wanna be part of the lover’s society
They shouldn’t mess with me no
They shouldn’t mess with me
They shouldn’t mess with me no -
Scared of Guns
Well, the power of the bullet is fascinating
They’re polishing the luga facsimiles
The little kids grow up imitating
Cowboys shoot indians before puberty
Don’t get me to the battle on time
I’d be useless in the front line
Don’t point that thing at me
You know I’m scared of guns
You can argue, say it’s harmless
In the nightmare fairground gallery
We’re all under pain of death
To keel right over gracefully
I ached to be a uniform man
And toss that baton in a marching band
Don’t point that thing at me
You know I’m scared of guns
I’m scared of guns, they’re out of your hands
I’m scared of guns, they might go bang
I’m scared of guns, Hey Joe, they’re out of control
I’m scared of guns, fear eat the soul
Don’t shoot me
I wanna put flowers in the barrels
Like the famous photo, understand
That I’d rather get hit on the head
That hold cold metal in my hand
The new arrival, the latest addition
The little boys running out of ammunition
Don’t point that thing at me
You know I’m scared of guns -
Who You Really Are
You got a brain just like a steam shovel
And I’m tar upon the road
You’ve got a body like a shotgun
That I’m trying to unload
If you are yin and yang then Baby
I must be ego and id
I’m the Man from La Mancha, whoever he is
And you’re a bold El Cid
Well come on Baby I wanna know who you really are
Come on Baby I wanna know who you really are
You got a beret like Che Guevara
But your dress makes me see stripes and stars
Oh come on Baby I wanna know
Who you are
Who you really are
You got imagination like a lift
I’m stuck between the floors
Your soul looks like a doorman
I’m revolving in his doors
I try to read you like a book
You laugh between the lines
You got a sense of humor like a motorway
Clearly I’m not an exit sign
Well come on Baby I wanna know who you really are
Come on Baby I wanna know who you really are
Well you tell us that you’re going far
How come your stocks are still where they are
Oh come on Baby I wanna know
Who you are
Who you really are
You’ve got a future like a family photo
And I’m just out of shot
Well when your car is freezing over
My collar’s getting hot
You’re fighting wars in your inside
And I’m a pacifist
Yeah, but if you were my country Baby
You know that I’d enlist
Oh come on Baby I wanna know who you really are
Come on Baby I wanna know who you really are
Well I guess I’m in the gutter gazing at stars
Baby don’t tread me down too far
Guess I’m in the gutter gazing at stars
Baby don’t tread me down too far
Guess I’m in the gutter gazing at stars
Baby don’t tread me down too far
Oh come on Baby I wanna know
Who you are
Who you really are -
Bad Fruit
On the long slow slide to Calvary
Or was it an airplane flying home
Well, I met her when I was born
And we went off to roam
We ended up in Italy
The rain was pouring down
She was wearing her party dress
She’d got me dressed up like a Pierrot clown
As the sun climbed up my window
The alarm went off again
I had to leave right after that warning
I just could not be contained
I took my love for her away
But she never left my mind
She said “You know I don’t mind looking you in the eyes
But I wish you wouldn’t be unkind”
And I said: “From one quick bite of a bad fruit
To today in seconds flat
Do you still have that hat I gave you?
Do you still think that it will save you?
And just between you and me
This life is not as long as it’s cracked up to me
I’ve been here so long, it feels like I’m growing roots
Took one quick bite of a bad fruit”
Well, I fell in love with being in love
And she fell in love with a snake
And all he gave her was social security
And a slice of his birthday cake
And I went back to the house we renovated
In that row on Nowhere Street
And I sat there writing my obituary
Waiting for a chance to complete it
Something happened in some big city, somewhere, sometime, somehow
That’s as far as I can go
I checked in my pockets and the petals you gave me were still in there
So it wasn’t a dream I know
As my ships sailed from the harbour
She waved from on dry land
A redheaded woman told me last Thursday
“You have to go backwards if you want to understand”
And I shout: “From one quick bite of a bad fruit
To today in seconds flat
Do you still have that cat I gave you?
Do you still think that it will save you?
And just between you and me
This life is not as long as it’s cracked up to me
I’ve been here so long, it feels like I’m growing roots
Took one quick bite of a bad fruit” -
Pound Pound Pound
I was standing on a corner kicking my heels
Had my coat buttoned up beneath my chin
And I saw in some girl’s eyes, she thought I was making deals
There was just me and the clock struck out
I was looking for something to scream and shout about
So I took a train and I went back home
There was no one to tell so I didn’t telephone
That place is just another big unknown to me
That place is just another big unknown to me
The sea made angry faces, the waves were getting high
Saw them kicking down onto the front
And the cars dodged the water that was flooding on by
And I just stood there, an orphan fool
I saw kids smoking chain on their way back from school
A tramp got reckless in the center of town
He was talking about Jesus as the sun went down
A lifetime of sorrows, he was ready to drown
A lifetime of sorrows, I think he was going to drown
Well I hit this bar where I used to hang out
Talked to the guy behind the bar, then dropped a few names
He didn’t know what I was talking about
So I put my money down and I shot some pool
Beat two punks, I was feeling cool
A couple of girls started to flirt
And I felt really old as they tugged my shirt
And I walked outside as they hurled some dirt at me
I walked outside as they hurled dirt at me
Went to visit Helen by St. Helen’s Park
That place used to frighten me now all I can see
Was a couple of wide-boy sharks flashing their teeth in the small-town dark
Huddled myself in the cold
That old red brick house I can find it blindfolded
I loved her when I was sixteen
She was an old town new brown beauty queen
Now I just spend my time filling the gaps in between her and me
Well I just spend my time filling the gaps that have grown in between her and me
Midnight in the subway, we’d huddle up and laugh
When we missed the last bus home, we’d just sit there all night
And we’d play guitars until the night-time passed
I went there to count some sheep
With the smell of glue, I couldn’t sleep
Made my excuses to no-one, left town
To leave it in the city at the lost and found
Where the steps my father walked don’t echo on down
And my mother’s voice calling doesn’t make no sound
And there’s no yesterdays to tie you down
And as I hit the city, I remember this sound
Waves on the shore going pound pound pound
The streets in the city still swirling around
And my mother’s voice calling me, calling me, calling me back
I was standing on a corner kicking my heels
Had my coat buttoned up beneath my chin
I saw in some girl’s eyes, she thought that I was making deals -
One Night Only
He got shafted in Bradford for his out of date routines up there
And the trouble he ran into Brighton was more than his share
He’s been running for thirty years, he would have settled down
But each town he appears in puts a red nose on the clown
You can buy the old showbills and frame them, they’re nearly antiques
You can trip up on his big clown shoes as you’re starting to speak
He squirts the flower, hurts your hand, it’ll always catch you
And his tears are etched so deep that they might just be tattooed
The one man circus is coming to town
Put the banners up, take your trousers down
Paint on a smile, wipe off the frown
Heaven knows he won’t hurt us
The loose, the lovely and the lonely
One night only
He said ’I played Chaplin for Hitler in March 44
Been a black and white minstrel before that whole thing was outlawed
And I’ve dragged it on every pier in every seaside town
But there aren’t any dances today, the pavilions have all been pulled down
I came over straight after the war and they hijacked my name
I waited for so many years but my wife never came
I’ve been learning these lines every day since 1945
And I’ll recite them everyday I wished I was alive’
The one man circus is coming to town
Get the dogs out, tear the posters down
Paint go home on the walls til he is elsewhere bound
Don’t you know he could hurt us
The loose, the lovely and the lonely
One night only
He’s tripping over backwards, taking off his clothes
And no-one helps him, everyone knows
We laugh at the misfortune of others
Everytime the glass empties, the lions they all get set free
On a town full of unsuspecting tourists who scream when they’re happy
And the scarecrow’s on probation just for making faces in a mirror
The past put a hand on his shoulder and drowned him in tears
Now he ushers and watched the movies where children don’t age
And the dancing horse stole all the keys and took charge of the stage
And the freaks are on the razzmatazz, they’re all fuelled on coke and gin
And the cast-out’s on the street and we’ve already let him in
The one man circus -
The Night He Took Her to the Fairground
Her glasses fell on the grass
They were reflected in the lens
Though short-sighted she knew
That they could never be friends
And as he pulled her down
She threw off his new suede shoes
He didn’t carry protection and
She’d just blown a fuse
She laughed but it wasn’t at him
She called him a crazy fool
Well she’d broken all of her promise
And he’d broken her golden rule
They kissed but their eyes were closed
And she said ain’t love blind
Well she put his scarf round her eyes
But the attachment was just a bind
The tunnel was out of love
The waltzer made no sound
The ghost train was on fire, on fire
And the merry go went round and round
The roller coasted on
As they went up and down
It was the night that he took her to the fairground
It was the night that he took her to the fairground
She ran away so fast
Like water down a drain
Well they met and they tried to pretend that
They were strangers on a train
Well she poisoned him with words
Well he tried to spit them out
Well he thought it was all absurd
You know that he had got no doubt
You know she was bending him out of shape
Well just like plastic warps
He was an actor in her play but he was
Just beginning to corpse
They molded together well
Her hand fit into his glove
And they were making up this story while
While they were making love
Yeah the tunnel was out of love
The waltzer made no sound
The ghost train was on fire, on fire
And the merry go went round and round
The roller coasted on
And they went up and down
It was the night that he took her to the fairground
It was the night that he took her to the fairground -
Save a Little Room for Me
When it’s time to pack your bags
When everything appears as the drag that it is
Get down that brown case that your grandma had
Open it up and think of your dad
When you’re feeling empty
And the echoes round this cold white room have no identity
When it’s time to pack your bags
Save a little room for me
When it’s time to buy a home
When you’re sick of using a different phone everyday
Settle up your debts and then settle down
Take that suitcase back to the lost and found
When you’re feeling lonely
I guarantee the neighbourhood community will rally round you
Wait and see
When it’s time to buy a home
Save a little room for me
When it’s time to lie down
When you’re sick of the sound and the sight hurts your eyes
Wrap up warm in a single bed
Tie up the loose strings that are in your head
When you’re feeling empty
Dreams will fill you up in the Big Sleep City
When it’s time for you lie down
Save a little room for me
Save a little room for me -
You Can't Take it with You
I love your money, your diamond rings
I love your money, honey, your earthly things
But you can’t take it with you
I love your space shuttle, your flash cars
I love your primadonnas, your rock stars
But you can’t take it with you
I love your double standards, I love your double-takes
I love your false witness, oh but for heaven’s sake
But you can’t take it with you
I like your Georgio Armani, the things you offer me
Amount to bribery, greed and hypocrisy
But you can’t take it with you
I am no Christian, I have no angel wings
The answers don’t exist, but I know one thing
You can’t take it with you
And you know it’s too worthless to disown