It Happened One Night

Buy CD/Digital

November 5, 1988: an out of the way bar in West London. One man, with his guitar, plays to an audience of about 100, consisting of strangers who’ve never heard of him, some friends who are doing most of the talking and a few regulars who can’t be bothered to leave. He is recording his first record. He is me.

At the time, my manager and I thought it was a great idea. The songs will stand up and be heard, we thought, whatever the context. And, in a way, we were right, because in the year 2004 It Happened One Night is back, fashionably late for its own 15th anniversary. Some people even think it’s my best record. (I think they’re insane, but I appreciate the sentiment.)

As a record of me as I was in the first year of my career, I like it (without wanting to listen to it). It shows me exactly as I was at a very typical show, singing (sometimes in tune), full of words, perfecting my “strum und drang” guitar technique, doing everything very very fast.

None of those are the reasons I don’t like it.

I don’t like it because It Happened One Night shouldn’t have been my first album. We hadn’t quite thought it through: I had done a total of about thirty gigs before I recorded my debut album; the songs were live, so no one wanted to play them on the radio; I was writing a lot at the time, so I was bored of these songs by the time it came to record Here Comes The Groom. Besides, who (except Peter Frampton) releases a live debut album anyway?

My first album should have been It Never Happened At All.

There was a whole different record I was making in 1988/89 with great musicians, many of whom would go on to play on Here Comes The Groom. It Never Happened At All – which, given my Capra fetish, would almost certainly have been called You Can’t Take It With You – was forgotten, lost, dispersed all over the place, and is now presented here. I loved reconstructing it. It’s a better general picture of me at the time, trying to write a song in any style that took my fancy: that Bo Diddley rhythm I’d just heard, a little rockabilly, country and western, a folk ballad, a synthy cinematic epic, a very heavy metal version of “Scared of Guns,” even (Lord have mercy!) a blues – just looking for something I liked. And then Sire came along, and they wanted to start from scratch and I made Here Comes The Groom, forsaking whatever this album was going to be for the wonders that lay ahead.

To me, It Never Happened At All is not a bonus CD: it is my alternative first record from a parallel world where you can have two debut albums. At the time, unfortunately, it never happened at all, but now, sixteen years on, it gets to happen after all.

Mastered by Emily Lazar at The Lodge, NYC
Cover Photography: Adrian Boot
Cover Design: Abbey Tyson
JWH Tape Archive: Bob Whitfield

Thanks to: Jim Musselman, Dave Seitz, Andrew Solin, Bob Whitfield, Peter Barnes, Glen Colson, Mark Linett, Steve Lang, Adrian Boot and Richard at Urban Image (for helping to find the original photos from the session), Mike Dixon, Cathy Hendrix, Mike Leahy and Brian Lohmann.

For David Lewis, Adam Barker, Amanda Posey and Jo Graham.

It Happened One Night
This version of It Happened One Night restores the two missing songs, “Three Legged Man” (which I sang to cover breaking a string, and of which I only sang two verses) and “Every Sunrise Is Another Sunset” (a duet with David Lewis.) On 5th November 1988, the songs were sung in this order:

The Devil In Me*
Career’s Service*
Humankind
July 13th 1985
Affairs Of The Heart
Kiss/Lover’s Society
Every Sunrise Is Another Sunset
The Night He Took Her To The Fairground
Phil Ochs, Bob Dylan, Steve Goodman, David Blue & Me
Headful of Something/The Devil In Me
You And Your Career
The Biggest Monument
Three Legged Man
Roy Orbison Knows
Who You Really Are
Famous Man
Pound Pound Pound
Save A Little Room For Me
One Night Only
Career’s Service
Bastard Son

*not used due to a microphone malfunction

Produced by Wesley Stace

Recorded live by Barry Farmer and Paul Bass, 5th November 1988 at The Wheelhouse Club on The Strand on the Green, Chiswick, London.

All songs written by John Wesley Harding except

The Biggest Monument (John Wesley Harding and Adam Barker), Every Sunrise Is Another Sunset (John Wesley Harding and David Lewis) and Kiss (Prince). All songs published by TOWNSONGS (ASCAP) except Kiss (Warner-Chappell Music)

  • Headful of Something

    We can wear the social fabric
    Put on the make-up of society
    We can champion the underdog
    Be proud that we’re not another cog
    In the Blue Machinery
    In the Blue Machinery
    We all wanna do those things
    But what’s the point in a headful of something
    What’s the point in a headful of something
    What’s the point in a headful of something
    If you’ve got a heartful of nothing
    If you’ve got a heartful of nothing

  • Who You Really Are

    You got a brain just like a steam shovel
    And I’m tar upon the road
    You’ve got a body like a shotgun
    That I’m trying to unload
    If you are yin and yang then Baby
    I must be ego and id
    I’m the Man from La Mancha, whoever he is
    And you’re a bold El Cid
    Well come on Baby I wanna know who you really are
    Come on Baby I wanna know who you really are
    You got a beret like Che Guevara
    But your dress makes me see stripes and stars
    Oh come on Baby I wanna know
    Who you are
    Who you really are

    You got imagination like a lift
    I’m stuck between the floors
    Your soul looks like a doorman
    I’m revolving in his doors
    I try to read you like a book
    You laugh between the lines
    You got a sense of humor like a motorway
    Clearly I’m not an exit sign
    Well come on Baby I wanna know who you really are
    Come on Baby I wanna know who you really are
    Well you tell us that you’re going far
    How come your stocks are still where they are
    Oh come on Baby I wanna know
    Who you are
    Who you really are

    You’ve got a future like a family photo
    And I’m just out of shot
    Well when your car is freezing over
    My collar’s getting hot
    You’re fighting wars in your inside
    And I’m a pacifist
    Yeah, but if you were my country Baby
    You know that I’d enlist
    Oh come on Baby I wanna know who you really are
    Come on Baby I wanna know who you really are
    Well I guess I’m in the gutter gazing at stars
    Baby don’t tread me down too far
    Guess I’m in the gutter gazing at stars
    Baby don’t tread me down too far
    Guess I’m in the gutter gazing at stars
    Baby don’t tread me down too far
    Oh come on Baby I wanna know
    Who you are
    Who you really are

  • Famous Man

    Mother, last night I shot a famous man
    His music, his life, I was his greatest fan
    Mother, I’m sorry for all the things that I did
    I’ve been hiding it all of my life, should've kept it still hid
    Should’ve kept it still hid

    Mother, last night I shot a famous man
    Ain’t it funny the things a man does cos he knows that he can
    When I raise my voice, it’s a small feeble sound in the wind
    To make yourself heard in this big bad world, you must know where to begin
    You must know where to begin

    Mother, last night I shot a famous man
    But today I can’t say it all went according to plan
    He just looked at me, he stared me straight in the eyes
    Now I know how he felt every day til he died
    Every day til he died

    Mother, well now people listen to me
    I’m the King of America, some say that I’m the King of Comedy
    Mother, now that I know what it means to be heard
    I wish I put down my gun, like he put down his guitar
    And I wish that I’d swallowed my words
    Wished I’d swallowed my words

    Mother, I knew him, but he never knew me

  • You and Your Career

    You know those feelings I’m talking about
    You’re walking down the road
    A car indicates right and then turns left
    You didn’t get the code
    It’s a world of signs we’re living in
    A mirror and that’s a fact
    If you don’t reflect what they provide
    They’re likely to react

    Was another wind-swept Wednesday
    In the schoolyard of the heart
    Your knuckles got wrapped for this before
    You had to learn your part
    I’m at your window looking in
    Seems my valentine has died
    We came out in 1983
    Now you’ve gone back inside
    You’ve gone back inside

    A snapshot of a wicked world
    It’s flowing down the sink
    But there is no point in watching it go
    No time to sit and think
    The world’s revolving faster
    But the train’s still going slow
    So much cackle, no more laughter
    Don’t trust anyone you don’t know

    Your mother’s irresponsible
    Your father’s on the booze
    It just happened to turn out that way
    They could not really choose
    Now you’ve got big alternatives
    But it’s only one or naught
    Don’t try to look between those places
    If you do then don’t get caught
    Don’t get caught cos that could ruin your career

    You’re looking for a part-time job
    You’re picking up the perks
    And all you do is lick the floor
    And jerk off all the jerks
    I don’t know if you’ve noticed
    I’m tired of being understood
    But at least these words rhyme with the world
    In a sense you knew they would

    Sometimes I am a politician
    Other times I’m just a king
    But I always do the things I want
    Like let my payphone ring
    Of course I have no money
    Naturally, I have no friends
    Of course I have no power
    But the license to pretend that I’ve got a career
    I can pretend that I’ve got a career

    You reached the door they told you to
    They just said 'Well what took you so long?’
    Well maybe in that corridor
    All the exits were marked wrong
    You took the route they told you to
    You walked down straight white lines
    You kept on looking straight ahead
    I’m sure it’ll work out fine
    Now you’ve got what you want and you’ve got your career

  • July 13th 1985 (The Live Aid Song)

    July 13th 1985 was the day we watched Live Aid
    The Global Jukebox came alive
    We fed the world that day
    We fed the world that day

    It was a day for a party we made a lot of food and we ate it sure as hell
    Vegetarian salads, they had no meat, there was leftovers as well
    Everybody laughed when I said
    Thinking of the people either dying or dead
    Let’s pick up the leftovers, send them to the starving children in Ethiopia
    My mother used to say that

    Sure I was pleased to give money, cause it was not a political cause
    I just remember the smiling faces, the music and the applause
    I spent 30 quid on coke
    I smoked a little too much dope
    I was wiped out from 5 til 7, I missed Spandau Ballet and U2

    July 13th 1985 was the day we watched Live Aid
    The Global Jukebox came alive
    We fed the world that day
    We fed the world that day

    The music was fucking brilliant and that Madonna she sure can move
    By the time Paul McCartney’s microphone had failed yeah, we are all well into the Live Aid groove
    Paul McCartney, he sang...
    Which must have been a bit of an irony
    Cos if you ’Let it Be’ nothing will ever improve
    But it was one of the first times I ever heard one of the real Beatles sing a real Beatles’ song live on television, I really wished Julian Lennon had turned up instead of his recently dead father, I was really moved

    July 13th 1985 was the day we watched Live Aid
    The Global Jukebox came alive
    We fed the world that day
    We fed the world that day

    Well the powerful voice of pop music, solve the problems, feed the world
    So what if there weren’t any blacks involved there was Everything but the Girl
    Bob Geldof has no ego that man should get the Nobel Prize
    By the time he sang the solo on Feed the World
    I thought he should be canonized

    I felt guilty about the starving but I felt good to be alive
    And I must admit I shed a tear or two in the very moving video for that great Cars song Drive
    Saint Bob made me feel like shit
    So I got out an envelope, opened it
    Put in a very crisp ten pound note
    It was the same one I used earlier to snort my coke
    And that made me feel good inside
    Sending the money, not snorting the coke

    July 13th 1985 was the day we watched Live Aid
    The Global Jukebox came alive
    We fed the world that day
    We fed the world that day

  • One Night Only

    He got shafted in Bradford for his out of date routines up there
    And the trouble he ran into Brighton was more than his share
    He’s been running for thirty years, he would have settled down
    But each town he appears in puts a red nose on the clown

    You can buy the old showbills and frame them, they’re nearly antiques
    You can trip up on his big clown shoes as you’re starting to speak
    He squirts the flower, hurts your hand, it’ll always catch you
    And his tears are etched so deep that they might just be tattooed

    The one man circus is coming to town
    Put the banners up, take your trousers down
    Paint on a smile, wipe off the frown
    Heaven knows he won’t hurt us
    The loose, the lovely and the lonely
    One night only

    He said ’I played Chaplin for Hitler in March 44
    Been a black and white minstrel before that whole thing was outlawed
    And I’ve dragged it on every pier in every seaside town
    But there aren’t any dances today, the pavilions have all been pulled down

    I came over straight after the war and they hijacked my name
    I waited for so many years but my wife never came
    I’ve been learning these lines every day since 1945
    And I’ll recite them everyday I wished I was alive’

    The one man circus is coming to town
    Get the dogs out, tear the posters down
    Paint go home on the walls til he is elsewhere bound
    Don’t you know he could hurt us
    The loose, the lovely and the lonely
    One night only

    He’s tripping over backwards, taking off his clothes
    And no-one helps him, everyone knows
    We laugh at the misfortune of others

    Every time the glass empties, the lions they all get set free
    On a town full of unsuspecting tourists who scream when they’re happy
    And the scarecrow’s on probation just for making faces in a mirror
    The past put a hand on his shoulder and drowned him in tears

    Now he ushers and watched the movies where children don’t age
    And the dancing horse stole all the keys and took charge of the stage
    And the freaks are on the razzmatazz, they’re all fuelled on coke and gin
    And the cast-out’s on the street and we’ve already let him in

    The one man circus

  • Affairs of the Heart

    I took a deep breath and I just stood there staring
    It could have been stupid but I was past caring
    It all seemed to depend on one little kiss
    Oh but who would have thought it would turn out like this
    And if I had I’d still have taken the risk
    Please pick me up, cos I’m falling apart
    That’s why I try
    Hard not to start
    These affairs of the heart
    These affairs of the heart

    Out in the big world, it was coming on morning
    The newsreader on breakfast TV was still yawning
    An H-bomb in Taiwan, a sex-bomb in Spain
    If you spill that red wine, white will get out the stain
    Forget the mess, baby, when will I see you again
    Please pick me up while I’m playing this part
    That’s why I try
    Hard not to start
    These affairs of the heart
    These affairs of the heart

    This movie is paper, it’s 2-D, it’s see-through
    I know what happens cos I saw the preview
    This mental fandango could drive me insane
    Just me, these six steel strings and you off in Spain
    Plainly the rain mainly falls down my drain
    Please pick me up and then pull me apart
    That’s why I try
    Hard not to start
    These affairs of the heart
    These affairs of the heart

  • Humankind

    I’ve read that it’s official
    That our love has solidified in ritual
    And all our sweet nothings melted into vitriol
    We eat it up, we chew it round, we spit it out
    But I doubt that we’ve got a lot to shout about
    The time has come, the bell has rung and now it’s seconds out
    I’m just a man but I try to be a human
    I’m just a man but I try to be a human
    Now the inmates are in charge of the asylum
    All this silence, it will only lead to violence
    Now the inmates are in charge of the asylum
    Watch out

    I’ve seen the big oaks falling
    And I’ve heard the dying voice of England calling
    No vote is worth a damn, we’re stuck here in our heartland stalling
    Her nerve is twice as cold as the icebox in my fridge
    I’d write you letters but she took away my privilege
    I’ll be there at the auction just to see how high she’ll bid
    I’m just a man but I try to be human
    I’m just a man but I try to be human
    Now the inmates are in charge of the asylum
    All this silence, well it might only lead to violence
    Now the inmates are in charge of the asylum
    Watch out

    They clipped my ticket but they took away the cinema
    Well now they just show films with things the way they think they are
    Some things may be black and white but not when there’s a color bar
    You tell me not to throw it’s only someone’s policy
    I think you oughta know I’m sick of ideology yeah
    I’m gonna hide right now, will you clear up this mess for me?
    I’m just a man but I try to be human
    I’m just a man but I try to be human
    Now the inmates are in charge of the asylum
    All this silence, well it could only lead to violence
    Now the inmates are in charge of the asylum
    Watch out
    They’re taking my humanity and they’re trying to squeeze it out of me
    They’re taking my humanity and they’re trying to squeeze it out of me
    I’m just a man but I try to be a humane man

  • Phil Ochs, Bob Dylan, Steve Goodman, David Blue & Me

    At night, he sits alone and he’s looking at the stars
    He listens to them playing guitars
    Him and Phil go back a long long way
    They talked about marching and dying all in one day
    They played songs together, they sit up past the dawn
    I wonder why this dream goes on
    You know Bob was there last week as well
    He’s a quiet guy but he’s got stories to tell
    Our hero sits and listens without asking why
    And teaches Bob A minor with a glint in his eye
    Bob used it on Hollis Brown, but that was some time ago
    When is this dream gonna stop?
    Heaven knows
    Then our hero picks up his guitar
    To play them the only tune he knows
    He played it to me once
    He said ’Wes, it’s short, but this is how it goes…’
    And then he sings ’This is the only thing that really matters
    Keeps me going, retains my sanity
    The nights I spend alone when there’s just
    Phil Ochs, Bob Dylan, Steve Goodman, David Blue and me Stevie died and David died
    But only to the papers that live outside
    Last Thursday they were in the room where he sits
    The three of them making jokes about the meager obits
    Steve and David smiled and they left quite soon
    He wonders about that dream as he looks at the stars and the moon
    Sometimes he has a party for him and the crew
    They turn up on time just cos they always do
    And Phil plays I Ain’t Marching, it’s his favorite song
    And Bob plays harmonica but he plays it all wrong
    And Steve harmonizes like he did with John Prine
    David just sits and looks blue all the time
    Then the time comes round again
    They all sit and listen to our hero playing
    He says ’You’ve heard it all before’
    But they like it so they shout ’encore’
    And then he sings, it’s a dream come true
    ’This is the only thing that really matters
    Keeps me going, retains my sanity
    The nights I spend alone when there’s just
    Phil Ochs, Bob Dylan, Steve Goodman, David Blue and me
    And me Phil Ochs, Bob Dylan, Steve Goodman, David Blue and me

  • The Night He Took Her to the Fairground

    Her glasses fell on the grass
    They were reflected in the lens
    Though short-sighted she knew
    That they could never be friends
    And as he pulled her down
    She threw off his new suede shoes
    He didn’t carry protection and
    She’d just blown a fuse

    She laughed but it wasn’t at him
    She called him a crazy fool
    Well she’d broken all of her promise
    And he’d broken her golden rule
    They kissed but their eyes were closed
    And she said ain’t love blind
    Well she put his scarf round her eyes
    But the attachment was just a bind

    The tunnel was out of love
    The waltzer made no sound
    The ghost train was on fire, on fire
    And the merry go went round and round
    The roller coasted on
    As they went up and down
    It was the night that he took her to the fairground
    It was the night that he took her to the fairground

    She ran away so fast
    Like water down a drain
    Well they met and they tried to pretend that
    They were strangers on a train
    Well she poisoned him with words
    Well he tried to spit them out
    Well he thought it was all absurd
    You know that he had got no doubt

    You know she was bending him out of shape
    Well just like plastic warps
    He was an actor in her play but he was
    Just beginning to corpse
    They molded together well
    Her hand fit into his glove
    And they were making up this story while
    While they were making love

    Yeah the tunnel was out of love
    The waltzer made no sound
    The ghost train was on fire, on fire
    And the merry go went round and round
    The roller coasted on
    And they went up and down
    It was the night that he took her to the fairground
    It was the night that he took her to the fairground

  • The Biggest Monument

    Well he shouts and wakes the whole street up
    He says ’I’ve never believed in you anyway’
    He says ’Now what the hell do you want to lecture me for
    To keep the approaching years at bay?’
    And as the curtains opposite open slight
    They see a front door slam
    And God the Father to His chosen Son
    Shouts ’Be saved or You’ll be damned’
    And the years go past
    Nothing changes ’cept the date
    This time, it’s just the same as the last
    It’s always just too late
    He smashed the car again last night
    And he can’t bang out the dent
    He was trying to pull down the biggest monument

    Wallpaper medals decorate the soldiers
    But the memories have peeled away
    Well people fight, they come and go like politicians
    So proud to have nothing to say
    Well there were moving pictures on the news at ten
    Why they rioted, it’s a mystery
    Well let’s play tin soldiers at Goose Green
    I never said we learned from history
    And the years go past
    Nothing changes ’cept the date
    This time, it’s just the same as the last
    It’s always just too late
    Splashed across breakfast on this morning’s papers
    One of the soldiers was bent
    He was trying to pull down the biggest monument

    Eyes light in the twilight twilight
    Dusk of a late-night bar, late-night bar
    Well they both believe in love at first sight
    Provided you can’t see the scars
    And mummy did it and his daddy too
    Otherwise how could they be here
    Will you have me in sickness and in health
    Til death do us part and we’ll get divorced next year
    And the years go past
    Nothing changes ’cept the date
    This time, it’s just the same as the last
    It’s always just too late
    He got smashed again last night
    His hard-earned money came and went
    He just tried to pull down the biggest monument

    Yesterday in tomorrow’s world
    They invented the wheel again
    Someone died in Hollywood
    And then he was proclaimed King of the Insane
    And tomorrow it’s in the papers
    The next day it’s on the news
    And it all happened just like this before
    You know I’m starting to get confused
    Yeah and the years go past
    Nothing changes ’cept the date
    This time, it’s just the same as the last
    It’s always just too late
    We get born with history on our shoulders
    We still can’t afford the rent
    When you try to pull down the biggest monument

  • Save a Little Room for Me

    When it’s time to pack your bags
    When everything appears as the drag that it is
    Get down that brown case that your grandma had
    Open it up and think of your dad
    When you’re feeling empty
    And the echoes round this cold white room have no identity
    When it’s time to pack your bags
    Save a little room for me

    When it’s time to buy a home
    When you’re sick of using a different phone everyday
    Settle up your debts and then settle down
    Take that suitcase back to the lost and found
    When you’re feeling lonely
    I guarantee the neighbourhood community will rally round you
    Wait and see
    When it’s time to buy a home
    Save a little room for me

    When it’s time to lie down
    When you’re sick of the sound and the sight hurts your eyes
    Wrap up warm in a single bed
    Tie up the loose strings that are in your head
    When you’re feeling empty
    Dreams will fill you up in the Big Sleep City
    When it’s time for you lie down
    Save a little room for me
    Save a little room for me

  • Kiss/Lover's Society

    Well they’re taking minutes to do what takes me hours
    At the lover’s society
    Well they’re sending out tenders for new ivory towers
    At the lover’s society
    And the chairman’s so together
    Drinks coffee from a lover’s cup
    It’s always lover’s weather
    If Bitterness would just button up
    He doesn’t need sugar, we all know why
    When he’s planning a broken heart bring and buy

    I wanna belong and I wanna be part of the lover’s society
    I wanna belong and I wanna be part of the lover’s society
    They shouldn’t mess with me, no
    They shouldn’t mess with me

    They talk about things that do not make my agenda
    At the lover’s society
    The committee are emotional big spenders
    At the lover’s society
    They’ve always got a quorum
    They love to love to always agree
    That this is the lover’s famous forum
    And they’ve excluded cynical me
    They say it’s paranoia, and I’ve got the patent
    But I think it’s paranormal that they’re so blatant

    I wanna belong and I wanna be part of the lover’s society
    I wanna belong and I wanna be part of the lover’s society
    They shouldn’t mess with me no
    They shouldn’t mess with me

    Casanova and Don Juan talk cold turkey in the corner
    At the lover’s society
    Sylvia Plath and Mrs. Browning they just go for a sauna
    At the lover’s society
    I’m standing at the lover’s keyhole
    With half a bottle of Becks
    Cos it sure felt cold and lonely
    Sucking my thumb in the annex
    You should see the archives on the shelf
    Proves every lover just loves him or herself

    I’m vaguely bitter cos they’ve written to me
    Out of the text of the lover’s Society
    I wanna belong and I wanna be part of the lover’s society
    They shouldn’t mess with me no
    They shouldn’t mess with me
    They shouldn’t mess with me no

  • Careers Service

    It’s a 24 hour operation with a skeleton staff
    The profits almost double when they cut the work force in half
    The boss votes the way the money goes, and the flags fly at half-mast
    He believes in the lie that is free enterprise and it just makes me laugh
    And it makes me nervous
    Careers service
    It makes me nervous

    You can’t walk down the street now the corner-shop’s been closed
    Who needs nostalgia when it belts you in the nose
    Big men put me out of business, made me sell budget garden hose
    Left you drunk on overpriced scotch, wearing a plastic rose
    And it makes me nervous
    Careers service
    It makes me nervous
    The boys in the queue
    The girls in the queue
    The men and the women all shouting at you
    Whatever happened to career's information
    Whatever happened to the pride of this nation
    No-one's giving us good vibrations
    Excitations
    You’ve got your best suit on for the interview
    Meeting people you shouldn't have to meet, doing things you don’t want to do
    Behind the desk, it’s all sex on a casting couch, surely will bite you
    You don’t even get the understudy amidst all this hullabaloo
    And it makes me nervous
    Careers service
    Well it’s so worthless
    Careers service
    Well it’s so worthless

  • Pound Pound Pound

    I was standing on a corner kicking my heels
    Had my coat buttoned up beneath my chin
    And I saw in some girl’s eyes, she thought I was making deals
    There was just me and the clock struck out
    I was looking for something to scream and shout about
    So I took a train and I went back home
    There was no one to tell so I didn’t telephone
    That place is just another big unknown to me
    That place is just another big unknown to me

    The sea made angry faces, the waves were getting high
    Saw them kicking down onto the front
    And the cars dodged the water that was flooding on by
    And I just stood there, an orphan fool
    I saw kids smoking chain on their way back from school
    A tramp got reckless in the center of town
    He was talking about Jesus as the sun went down
    A lifetime of sorrows, he was ready to drown
    A lifetime of sorrows, I think he was going to drown

    Well I hit this bar where I used to hang out
    Talked to the guy behind the bar, then dropped a few names
    He didn’t know what I was talking about
    So I put my money down and I shot some pool
    Beat two punks, I was feeling cool
    A couple of girls started to flirt
    And I felt really old as they tugged my shirt
    And I walked outside as they hurled some dirt at me
    I walked outside as they hurled dirt at me

    Went to visit Helen by St. Helen’s Park
    That place used to frighten me now all I can see
    Was a couple of wide-boy sharks flashing their teeth in the small-town dark
    Huddled myself in the cold
    That old red brick house I can find it blindfolded
    I loved her when I was sixteen
    She was an old town new brown beauty queen
    Now I just spend my time filling the gaps in between her and me
    Well I just spend my time filling the gaps that have grown in between her and me

    Midnight in the subway, we’d huddle up and laugh
    When we missed the last bus home, we’d just sit there all night
    And we’d play guitars until the night-time passed
    I went there to count some sheep
    With the smell of glue, I couldn’t sleep
    Made my excuses to no-one, left town
    To leave it in the city at the lost and found
    Where the steps my father walked don’t echo on down
    And my mother’s voice calling doesn’t make no sound
    And there’s no yesterdays to tie you down
    And as I hit the city, I remember this sound
    Waves on the shore going pound pound pound
    The streets in the city still swirling around
    And my mother’s voice calling me, calling me, calling me back

    I was standing on a corner kicking my heels
    Had my coat buttoned up beneath my chin
    I saw in some girl’s eyes, she thought that I was making deals

  • Roy Orbison Knows (The Best Man’s Song)

    Well your voice grips me tight like fingers
    Takes hold of whatever’s inside
    Though we try to harmonize with different singers
    When we’re out of tune at least we’ll know we’ve tried
    Baby, it’s a hopeless feeling
    Leaves Mr. Logic reeling
    I love you, I know
    But what does that mean
    When the only place forward is where we’ve just been
    It’s time to think twice
    It’s time to decide
    Turn and keep walking or be my bride
    Or be my bride
    Or be my bride

    Well Roy Orbison, he knows that I can’t forget you
    Well he told me last night at forty-five
    Hope this honesty doesn’t honestly upset you
    He said 'to lie is death to love’, I know we’re still alive
    Baby when the morning’s breaking
    So many actresses have already started faking
    I love you I know
    But it’s not such a big deal
    I’m gonna tape you this song on my reel to reel to reel
    It’s time to think twice
    Make up your mind
    Take me to the altar or leave me behind
    Or leave me behind
    Or leave me behind

    Well my memories, they lie to me just because they want to
    Well, like a runaway train, you know I have no control
    I’m gonna tell them where you live so they can go and haunt you
    And take back all the parts of me you stole
    But I no longer feel like crying
    My nervous system’s dying
    I love you I know
    But I’m anaesthetized
    I was foolishly hopeful, now I’ve realized
    It was time to think twice
    You had to go
    I hope that you blossom, I hope that you grow
    Write me a postcard, make it some little thing
    If you get married, I’ll carry the ring
    If you get married, introduce me to him
    Introduce me to him, introduce me to him

  • Bastard Son

    Bob Dylan is my father, Joan Baez is my mother
    And I’m their bastard son
    Though my roots show through I’m just 22
    I don’t belong to anyone
    When The Band was disbanded, I was disowned
    I got a number you can ring me on but I ain’t got no phone
    Got a forwarding address, baby I ain’t got no home
    I got no direction home
    That’s the style of a bastard child
    This is the song of a bastard son

    Uncle Lenny used to make me laugh
    Took away my nightmares, tore my daydreams in half
    Showed them to me reflected upside-down
    In the mirror that Suzanne Vega found
    Lenny’s still doing his tricks today
    Only goes to show that growing up might pay

    Bruce and James were family friends
    Took my mind to Carolina through the New Jersey bends
    Gave me a harmonica when I was three
    Nailed a banjo to my knees
    Now Bruce is a foreman and James is a slave
    Bruce gave in and James just gave up

    My family didn’t grow up too well with technology
    And I think this is why they disowned me
    But now I wanna get back into the fold
    I don’t wanna be a black sheep, I don’t wanna grow old
    Here’s to Warren, Neil, T-Bone, Andy, Lou, Townes, Elliott
    Tom, Steve, Elizabeth, Elvia, Dave
    You’re singing something good and it’s gotta be saved
    I think so!

    I’ve only just started playing guitar and already they say
    I’m a has-been
    Say my songs are too long, words are too strong, shoes
    aren’t clean
    See the synthesizer’s broken, the 12 inch does not exist
    It’s gonna take a blessed life to get on to the hitlist
    I’m gonna need a blessed life to get on to the hitlist
    But I’m singing for the men, for the women and the kids
    Who grew up like me with seven basic instincts hid

    Bob Dylan is my father, Joan Baez is my mother
    And I’m their bastard son

onenight1.jpg
onenight3.jpg
onenight2.jpg
Previous
Previous

Here Comes the Groom (1989)